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...hand in hand, but as director Martijn Hostetler '00 shows in his creation of Shakespeare's Troilus and Cressida, perhaps the two worlds are not so dramatically different after all. Set in a post-apocalyptic rave, the title characters are not dressed in the expected and traditional 17th-century garb but in silver flare bell-bottoms, platform shoes, halter tops and body glitter thanks to the costume designing expertise of Valerie de Charette '02. While I'm sure that the scandlous sex scenes, glow sticks, extensive homoeroticism and use of the words "duh!" and "whatever" were not in Shakespeare...

Author: By Kelley E. Morrell, | Title: Troilus 2: The Rave Warrior | 5/12/2000 | See Source »

...garb throughout the week, but this is only a matter of comfort--if you have never worn DHAs, you are missing out on something special--and convenience. I may adorn myself with this jockish attire, but when I speak in section, when I picture myself walking through the Yard, when I enter the Barker Center, I envision a student and I hope that is also what others...

Author: By Tim M. Martin, CRIMSON STAFF WRITER | Title: Separate Spheres | 4/28/2000 | See Source »

...Sterling lore" circulates throughout the JCL and SCL. "Sterling is deathly afraid of drag queens," writes Brian W. Compton, a fellow SCLer. He knows this because at the 1997 National JCL convention in Fargo, North Dakota, he was one of a group of male SCLers who donned Spice Girls garb and serenaded Darling in front of a huge audience. "Should I be afraid?" Darling asked Compton during the routine. Compton replied that he should be, although Sterling to this day insists, "I'm not afraid of drag queens!" He explains that he posed the question only because the Spice Girls...

Author: By Sarah J. Ramer, | Title: Fifteen Minutes: Sterling Silver: Harvard's political darling rules his national administration | 4/6/2000 | See Source »

...back on Pudding history, every era has presented the club with obstacles (see ), but no time has compared with the past 30 years, which have proved devastating. For the first half of the 20th century, the Pudding remained static. The members--white males from privileged families--pulled out female garb and other outrageous costumes every year for the big show and fraternized the rest of the year on special club nights. Other than the creation of the Kroks in 1944 by a group of four guys who liked hanging out in the second floor bar, little of lasting significance occurred...

Author: NO WRITER ATTRIBUTED | Title: Fifteen Minutes: The Pudding is Dead...long live the pudding? | 4/6/2000 | See Source »

Dozens showed up in traditional Muslim garb to listen to the religious figure, but many were drawn solely by Islam's musical past...

Author: By Thomas J. Castillo, CONTRIBUTING WRITER | Title: Converted Musician Speaks About Islam | 4/5/2000 | See Source »

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