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...mechanical piano into action, dies to a ragtime tune. But best of all is the smoldering, velvet-voiced, wanton-mouthed femme fatale of Algiers, black-haired, hazel-eyed Viennese Actress Hedy Kiesler (Hollywood name: Hedy Lamarr). Her coming may well presage a renewal of the sultry cinema of Garbo and Dietrich. Hedy has been chiefly famous for her appearance, nude, in the Czechoslovakian film Extase, produced in 1933 by young Director Gustav Machaty as "a sermon in eugenics," exploited wherever U. S. cinema censors permitted, a picture which had one exquisitely played, if adulterous, moment of passion...

Author: /time Magazine | Title: Cinema: The New Pictures: Jul. 25, 1938 | 7/25/1938 | See Source »

Temporarily unphotographed, Lovers Greta Garbo (real name: Greta Louvisa Gustafsson) and Leopold Anton Stanislaw Stokowski were bowling along in an automobile near Stockholm. Stoky, driving, cut a corner too sharply: the car turned over, shook them up good & proper...

Author: /time Magazine | Title: People, Jul. 4, 1938 | 7/4/1938 | See Source »

Whether or not studio employes, from Greta Garbo to studio gatekeepers, can take their labor difficulties to the National Labor Relations Board has been a controversial subject in the cinema industry since the Supreme Court upheld the Wagner Act last year. Last week it was answered when the NLRB handed down a long-awaited decision involving Hollywood's 350 screen writers, most of whom make between $150 and $5,000 a week...

Author: /time Magazine | Title: Cinema: Screen Writers Squabble | 6/20/1938 | See Source »

Hollywood woke up one morning last week to find its self-satisfied air full of dead cats. The slingers: Manhattan's Independent Theatre Owners Association. Inc. Their targets: Greta Garbo. Marlene Dietrich. Mae West. Joan Crawford, Kay Francis. Katharine Hepburn. Edward Arnold. Fred Astaire. The reason: These highly-publicized great ones were "poison at the box office." "WAKE UP." screamed the theatre owners to Hollywood's producers. "Practically all of the major studios are burdened with stars-whose public appeal is negligible-receiving tremendous salaries . . . Garbo, for instance . . . does not help theatre owners...

Author: /time Magazine | Title: Cinema: Dead Cats | 5/16/1938 | See Source »

...admirable interpretation of "The Story of Louis Pastcur" offset by Claudett Colbert and Melvyn Douglas in "She Married Her Boss." Tomorrow, however, they are abandoning the old name of "review day" in favor of "Romance Day," bringing to the screen Stokowski in "100 Men and a Girl" and Garbo in "Anna Karenina." This idylic couple, last heard from on the Isle of Capri, got widely diverging reactions from the local public. The big Swede left Harvard hearts cold, but the stoical Stokowski received such an overwhelming Radcliffe vote that the Deanna Durbin musical came in by a landslide. On Friday...

Author: NO WRITER ATTRIBUTED | Title: The Moviegoer | 4/13/1938 | See Source »

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