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Publishing last week first results of a questionnaire addressed to exhibitors. Motion Picture Herald revealed that the most valuable players were Marie Dressier, Janet Gaynor, Joan Crawford and Greta Garbo; Wallace Beery. Will Rogers, Charles Farrell, Clark Gable, Wheeler & Woolsey. Producers lost most of their money on program pictures?pictures of standard length (55 to 60 min.) meant to fit in on any theatre program...

Author: /time Magazine | Title: Cinema: State of the Industry | 6/27/1932 | See Source »

...same kettle of fish, cinema producers have lately realized that, to keep their own theatres open, they need the assistance of rival producers. Next year they will cooperate more than heretofore by lending high-priced players to each other to make sure the actors earn their salaries. Greta Garbo (MGM), who was planning to retire until last fortnight when she was reported to have lost $1,000,000 in the failure of the First National Bank of Beverly Hills, may make a picture for Paramount. Joan Crawford (MGM) last week finished Rain for United Artists. Metro-Goldwyn-Mayer will lend...

Author: /time Magazine | Title: Cinema: State of the Industry | 6/27/1932 | See Source »

...Greta Garbo...

Author: /time Magazine | Title: Cinema: The New Pictures: Apr. 25, 1932 | 4/25/1932 | See Source »

...hotel is well filled. In one room lives a ballet-dancer (Greta Garbo) who is bored by her art and her existence. Conveniently near, so that he can filch her pearls, is an attractive and impoverished Baron (John Barrymore). In a corridor, the Baron makes friends with a pretty stenographer (Joan Crawford). She is waiting to take dictation from a disagreeable textile tycoon (Wallace Beery). The tycoon, named Preysing, is so engrossed in dishonest tricks to escape financial ruin that he fails to recognize one of his own clerks. The clerk (Lionel Barrymore) is incurably ill; he has come...

Author: /time Magazine | Title: Cinema: The New Pictures: Apr. 25, 1932 | 4/25/1932 | See Source »

When Vicki Baum, who fortnight ago stated she would henceforth reside in the U. S. instead of Berlin, saw Grand Hotel, she had reason to be pleased with the adaptation of her play. Said she: "My admiration for Greta Garbo is unbounded. ... I see before me even now her tired, tragic face in the opening scenes and her extraordinary vivacity of expression and action as the happy Grusinskaya." It is a quick, sharp melodrama far superior to imitations of it already produced (Transatlantic, Union Depot, Hotel Continental). Edmund Goulding's direction is brilliant but the picture's greatest...

Author: /time Magazine | Title: Cinema: The New Pictures: Apr. 25, 1932 | 4/25/1932 | See Source »

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