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...Lynn Seymour, are both classical works. Field Figures, with Deanne Bergsma, choreographed by Glen Tetley, is a modern ballet. And Marguerite and Armand, with Dame Margot Fonteyn, choreographed by Sir Frederick Ashton especially for the pair, is based on Dumas's story of Mme. Recamier, the courtesan immortalized by Garbo in Camille. Ashton calls his ballet an "evocation poetique," but it is more like sentimental prose. The other pieces are adequate, but hardly thrilling. The biggest problem with using bits of complete works is that the audience stands a good chance of being bored, since there is no development...

Author: By Sarah M. Wood, | Title: Nureyev on Film | 4/23/1973 | See Source »

LOWELL LECTURE HALL, Queen Christina, with Greta Garbo and John Gilbert March 5, 8, sponsored by the H-R Women's Abortion Action Coaltion...

Author: NO WRITER ATTRIBUTED | Title: Harvard | 3/1/1973 | See Source »

ORSON WELLES CINEMA. THURS. The Scandalous Adventure of Buraikan (Shinoda), 4, 7:55, 11:45. Kill! (Okamoto) 5:50, 9:45, FRI-SAT Swords of Death 5:30, 8:30. San Francisco (Clark Gable) 4, 8:05, Ninotchka (Garbo), 6, 10:15, Midnite FRI-SAT Alfie...

Author: NO WRITER ATTRIBUTED | Title: Cambridge | 2/15/1973 | See Source »

...myths, hiding, as myths always have, in the nooks and crannies of everyday life. The style is lively and talkative, despite a vocabulary drawn from Marx, Sartre and the structuralists. The subjects covered by the short essays making up most of the volume are fascinating and immediate: professional wrestling, Garbo's face, soap powders and detergents, ornamental cookery, strip-tease, plastic...

Author: By Phil Patton, | Title: Myth and the Everyday | 2/6/1973 | See Source »

...Woman. If Liv is headed for a bad end, one would have a hard time proving it by Hollywood. Not that the film colony is blind to the pitfalls that surround her. She is still unfamiliar to mass audiences in the U.S. For every Garbo or Ingrid Bergman before her, there have been dozens of European actresses who have not traveled well. While she was protected by Ingmar Bergman, she had no real chance to make career mistakes. Since being on her own she has made at least two: she signed up for The Night Visitor, a forgettable thriller...

Author: /time Magazine | Title: Just an Ordinary, Extraordinary Woman | 12/4/1972 | See Source »

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