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...media) at the North Portico of the White House, it was clear that this public endorsement of the freshly-crowned Republican presidential nominee was largely a marriage of convenience. Even as the two consummated their political union in front of the media at a giddy conference in the Rose Garden, cynics in the crowd were looking for signs of how and when McCain would...

Author: /time Magazine | Title: McCain, Bush's Awkward Embrace | 3/5/2008 | See Source »

...project is being conducted in collaboration with the Smithsonian Institution, the Field Museum of Chicago, the Marine Biological Laboratory at Woods Hole, the Biodiversity Heritage Library consortium, and the Missouri Botanical Garden...

Author: By Aditi Balakrishna, CRIMSON STAFF WRITER | Title: Prof’s ‘Encyclopedia of Life’ Project Launches | 2/28/2008 | See Source »

...production of “Twelfth Night.” It was difficult to say no to BlackCAST, she says, but even before the final cast lists went up Elmore talked about the importance of diversifying her experience. “If I only did Sunken Garden Children’s Theater I would feel limited; if I only did Gilbert & Sullivan I’d feel limited; or if I only did shows by white playwrights and I never did shows written by Hispanics or Asians I’d feel limited,” Elmore says...

Author: By Jillian J. Goodman, CRIMSON STAFF WRITER | Title: Staging the Race Debate | 2/22/2008 | See Source »

...have been times when kinetic art - think of Marcel Duchamp's spinning bicycle wheel screwed to a stool, Alexander Calder's abstract mobiles or the self-destructing machines of Jean Tinguely - moved the art world. Recently, though, it has tended to be sidelined as the work of toymakers and garden-shed boffins, finding a warmer welcome in the science museum than the art gallery. That's no bad thing, to judge from "Fantastical Mechanisms - Machines Tell Stories," the biggest exhibition of its kind in Europe since the '60s, on show at the dashingly futuristic Phaeno science center in Wolfsburg, Germany...

Author: /time Magazine | Title: Machine Age | 2/20/2008 | See Source »

...challenging space. A backlit screen offers the opportunity for stage director Matthew M. Spellberg ’09 to display two locations to the audience at the same time. The one major set change is seamless as two large doors open to replace a living room with a garden landscape.The talented cast fills Raasch’s set well, using both their voices and their gestures to bring Mozart’s story of seduction and betrayal to life. Don Alfonso, played by Jonathan G. Roberts ’09, plots a test of female loyalty, but he needs...

Author: By Eric M. Sefton, CRIMSON STAFF WRITER | Title: 'Così fan Tutte' Carried by Cast | 2/20/2008 | See Source »

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