Word: gardens
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Dates: during 1950-1959
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Early one Saturday last May, a thin, grim line started forming outside the Royal Opera House at London's Covent Garden. All through the long Whitsun weekend it sweltered and swelled, until, the following Tuesday, tickets went on sale for the first London performance of Cherubini's Medea in 89 years. Within three hours every seat in the house was sold out. Last week the lucky ticket holders finally got a look at what they had battled so tenaciously to see: Maria Meneghini Callas in the role of Euripides' savagely tormented heroine...
...Covent Garden production of Medea was the same one in which Callas triumphed in Dallas last year (TIME, Nov. 17); in an exchange agreement, Dallas will see the Royal Opera Company's production of Donizetti's Lucia di Lammermoor next year. As curtain time approached in London, $5.60 seats were fetching $98 on the black market, and $30 boxes were going for $280. Shipping Magnate Aristotle Onassis, realizing that the occasion was a great night for the Greeks (Callas, Designer John Tsarouchis, Stage Director Alexis Minotis, not to mention Euripides), desperately placed ads in the London Times agony...
...Capitol Hill Club headquarters at 214 First Street S.E. †for Pepsi-Cola-on-the-rocks (later sipping Dubonnet, he professionally held it under the table whenever he saw a photographer approaching) and an informal feed of Maine lobster and corn on the cob in the club garden...
...silver Cornet touches down at Newfoundland's St. John's Airport this week, she will whisk into an itinerary that, for all the press of excited planning across Canada, hews to cozy informality. Banished is the usual stuffy round of honor-guard reviews, cornerstone layings, garden parties. Tarrying for only a day or less in such cities as Ottawa, Winnipeg and Vancouver, the Queen will see more of her people and country than most Canadians do in a lifetime. "I can't think of a single event where silk hats will be worn," says Lieut. General Howard...
...very first picture, The Trouble with Harry (1955), a Hitchcock exercise in ghoulish gaiety. She was the cute little widow who could help exhume and rebury her husband's corpse half a dozen times, looking fond, puzzled, but no more perturbed than the president of a garden club transplanting gardenias. Next came Artists and Models, one of the last joint Martin & Lewis enterprises, in which Shirley ("I was a forward comedienne in a yellow sunsuit") distinguished herself chiefly by becoming the first performer ever to steal a scene from Jerry Lewis. In Around the World in Eighty Days...