Word: gardens
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Dates: during 1950-1959
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...tiresome. Her place is taken by a crew of thieves, usurers, pimps and powder faces (prostitutes) who add up to a kind of road-company Decameron. The fat lecher Pi, for instance, lusts after the beautiful Silver Vase, a pubescent virgin being carefully tended by Lady Li, a flower-garden proprietor (brothelkeeper). Cash-and-Carry, a young wastrel, volunteers to act as go-between, but what he goes between are Silver Vase's sheets. Lady Li, who has been giving Cash-and-Carry a private course in flower arrangement, is outraged, and so is Pi. The lovers escape...
...providing a timpani accompaniment to the heroine's rages. Robbe-Grillet cheerfully invents a greater fault. Obsessed by the reality of objects, he describes them endlessly, and then repeats his descriptions-a column that casts a shadow, a squashed centipede, the location of a window, of a garden. In one maddening three-page section, he explains carefully the shape of the banana fields, the number of rows in each field, how many trees stand in each row. Such writing is not merely capricious; the looming fact of the plantation's physical existence is established-for whatever readers remain...
...Headed by a lead-footed woodchopper named Yan Kruminsh, who towers like a sequoia (7 ft. 3 in., 320 lbs.), the first Russian basketball team to visit the U.S. opened a six-game tour in Madison Square Garden, lost to the postgraduate amateurs of the Phillips Oilers...
...most important thing of all is salesmanship," Eaton rushed right home and set down The Builder's Creed: "I believe in a happy Eternal Life ... in a Christ that smiles and loves you and me, [in] an immense Endowment Care Fund ... to care for and perpetuate this Garden of Memory." The Creed, combined with a pay-now-die-later arrangement soothingly described as a Before Need Plan, boosted plot sales by 250% in the first year...
...structure that comes closest to satisfying Tange's new ideal is his Kagawa Prefectural Office, completed last year. With its massive exposed beams rising in tiers, ceramic Zen symbols emblazoned on its walls, and a rock garden in the tradition of the Ryoanji Temple, it strikes an unmistakably Japanese note in the modern idiom of reinforced concrete. As well as recalling the past, Tange believes his building must also "make an image of our new social structure." For Tange this means the new democracy in which citizens are now invited to become part of the government. To welcome them...