Word: gardist
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Dates: during 1980-1989
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...with Europe was of immense importance to this strictly raised, diffident, beanpole son of a dry-goods storekeeper from Nyack, N.Y. Paris formed his work and gave him the confidence to deal with his specifically American motifs. By no stretch of the imagination could Hopper be called an avant-gardist. Not a canvas in the Whitney's show suggests the influence of cubism, let alone abstract art, although one might be able to detect some remote Fauve echo-perhaps through Albert Marquet, whose work he saw in Paris-in Hopper's fondness for relieving a low-toned background...