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Midseason on Broadway finds an unfavorable balance of dramatic trade, with the two most provocative original plays and the liveliest musicals all imported. Rhinoceros, a farcical-satirical assault on conformity by France's perky avant-gardist Eugene Ionesco, is somewhat obvious and farfetched but also exhilarating-particularly when Star Zero Mostel virtually turns himself into a rhinoceros onstage. A Taste of Honey, a first play by Britain's young (19 at the time) Shelagh Delaney, is an unhistrionic, earthy drama about a desperately lonely girl. And the musical Irma La Douce, French to its very bedposts, boasts Broadway...

Author: /time Magazine | Title: Cinema: Feb. 3, 1961 | 2/3/1961 | See Source »

Rhinoceros (translated from the French of Eugene lonesco by Derek Prouse) finally breached Broadway's avant-guarded walls for France's perkiest avant-gardist. The play, to be sure, has been trumpeted enough: its history included Paris and London productions with Jean-Louis Barrault and Laurence Olivier; its story dealt with people becoming rhinoceroses. If, for all that, it isn't a real Broadway event, it has its virtues as an oddity...

Author: /time Magazine | Title: Theater: New Play on Broadway: Jan. 20, 1961 | 1/20/1961 | See Source »

...broke and fell, as Lawrence realized at last the truth of his own perversion. Not everyone agreed with Playwright Rattigan's picture of Lawrence, but, wrote Critic T. C. W^orsely: "As one view of the enigma, this will impose itself for a long time." Rhinoceros, Avant-Gardist Eugene lonesco's new play, opened with Sir Laurence Olivier triumphing over the din-and-delirium direction of Orson Welles, lonesco's famed earlier one-acters dealt opaquely with such subjects as a girl with three noses and a man and wife who share their apartment with a growing...

Author: /time Magazine | Title: THEATER ABROAD: Three Hits in Two Cities | 5/23/1960 | See Source »

Most critics panned the work, but the audience seemed to dig it despite the fact that it followed that popular old war horse, Les Sylphides. The audience's reaction, observed one ardent avant-gardist, was entirely natural. "Thunder," said he, "is alive. Sylphides is like old toothpaste stuck in your teeth...

Author: /time Magazine | Title: Music: To Beat or Not to Beat | 4/4/1960 | See Source »

...case of Composer Arnold Schoenberg, creator of the twelve-tone system, Avant-Gardist Kokoschka found a personality streak that he shared: a sense of persecution by the crowd. "When we talked," Kokoschka recalled last week, "it was only about the stupidity of society. We were both despised at the time. Schoenberg received many rotten eggs in the face, and I used to be called a jailbird...

Author: /time Magazine | Title: Art: PSYCHOLOGICAL PORTRAITIST | 5/5/1958 | See Source »

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