Word: gardner
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Dates: during 2000-2009
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...between art and science is narrowing. Certainly, Presence: The Ephemeral in Focus, now at the Isabella Stuart Gardner Museum, would suggest that art and science are a match made in heaven—or in this case, the Elysian Fields. British couple and collaborators Heather Ackroyd and Dan Harvey have perused the DaVinci-esque tradition of artist as scientist and scientist as artist. The astounding works they have created are grown out of their combined efforts as both. Their show is currently on view in the back gallery of the Gardner, just beyond the museum’s wonderful courtyard...
Thanks to Gardner and other higher-education experts, a movement is spreading to ensure that students exit with degrees. Backed by 30 years of experimentation and data, Gardner and other academics have established that colleges can boost freshman retention...
...operate under the assumption that students know how to do it--or if they don't, they'll flunk out and it's their problem," says John Gardner, executive director of the Policy Center on the First Year of College and the leader--along with Russell Edgerton of the Pew Forum on Undergraduate Learning--of a panel of higher-education experts that advised us during our selection process...
...Arriving in New York, they brought Gardner and one of the other Ravens east, hired two other singers and dubbed the new assembly The Coasters. Thus was born not just a group but a genre. It was a wrinkle on the radio playlet: the two-minute rock musical comedy. "Searchin?," "Charlie Brown," "Along Came Jones," "Little Egypt" - the whole raucous, joyous bunch of pastiches bubbled over with sharp point-of-view writing and obscure movie and radio references. Scarface Jones? Bulldog Drummond? Salty Sam and Sweet Sue (in their masterpiece, "Along Came Jones")? Most kids didn?t know that...
...parodies - "aural cartoons," Donald Clarke calls them - were also social criticism; they sounded black but could apply to alienated whites too. Stoller?s uptempo bluesy charts (usually 12-bar blues) found the ideal blend of honking sax solos by King Curtis and the singers, who had distinct comic personality: Gardner?s lead tenor in a vaudeville vibrato of fear and trembling, Bobby Guy?s smart-guy growl (a nastier version of the Ray Charles tout-voice), Dub Jones? mindshaft bass delivering the cool catchphrases (as parent: "You better leave my daughter alone" and "Don?t talk back!"; as Charlie Brown...