Word: gardner
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...Everybody assumes that to be a scientist or a mathematician requires thinking and problem solving and so on. But a lot of people assume the arts are just a matter of inspiration, or God giving you a message, or primarily about emotions,” says Howard E. Gardner, a former co-director and one of twelve Principal Investigators of Project Zero, a research group at the Graduate School of Education...
...Nocturnes,” Ishiguro examines that dreaded moment in which people arrive at middle age and have to confront their mediocrity. Characters drift apart as they realize that they have not fulfilled their individual ambitions: the marriage between trophy wife Lindy Gardner and her fading American crooner husband unravels; the apprenticeship of a young Russian cellist under a woman who professes to be an accomplished musician dissolves; a struggling jazz musician, seeking notoriety, undergoes an unnecessary facelift and befriends Gardner while recovering from his surgery in a futile attempt to achieve celebrity...
...auditions happened at a much more shambolic level. In fact, when you saw the way most bands went about things, it was no mystery why the whole scene in London was dying on its feet.” In the same way, the American jazz musician who befriends Gardner, has a completely different syntax that instantly identifies him as a member of the L.A. music scene: “If it’s pop they want, it’s pop I play. R&B? Fine. Car commercials, the walk-on theme for a talk show...
...characters come to recognize that they must be content with their failures, they cope in frustratingly deadpan ways, lending the narrative a puzzling emotional flatness. Tony Gardner explains the seemingly tragic dissolution of his marriage to Lindy in sterile, practical terms, saying, “I’m no longer a major name. Now I could just accept that and fade away. Live on past glories. Or I could say, no, I’m not finished yet.… You have to be prepared to make a lot of changes, some of them hard ones. You change...
Samina Quraeshi, the first Robert Gardner Visiting Artist Fellow at the Peabody Museum, is currently using her time at Harvard to put this notion into practice. Quraeshi’s work, which is currently displayed in “Sacred Spaces” as part of her fellowship, attempts to translate her conception of homeland—a complicated interweaving of her birth in India, Pakistani Muslim upbringing, and Catholic education—into a cultural experience...