Word: gardners
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...other panelists each spoke for a couple of minutes after the film, and then Cavell opened the floor up for questions. The other participants were Robert Gardner '48, directer of the Carpenter Center; Alfred F. Guzzetti, chairman of the Visual and Environmental Studies Department; Vlada K. Petric, curator of the Harvard Film Archive; screenwriter and film critic William D. Rothman; and Charles Warren '69, lecturer on history and literature...
ADMINISTRATION: Martin J. Gardner, Donald Sweet...
Sailing in the B divison, Harvard's Dan Elbaum and Alisa Gardner tallied 28 points, which placed them in second. Elbaum and Gardner captured one first, a second, and three thirds...
...strongest and must amusing numbers is "C'est Moi," the entrance tune of Sir Lancelot (Andrew Gardner), a self-proclaimed "French Prometheus unbound." Gardner deftly embodies a ridiculous paragon of self-confidence and self-righteousness. He has a handsome easy manner and he uses his mobile (and bushy) eyebrows to great comic effect. From France, Lancelot has travelled to join Arthur's new order, the Knights of the Round Table, a chilvalrous fraternity dedicated to Arthur's new Machiavellian philosophy that might should be the weapon of right. Arthur welcomes him readily while the rest of the court initially...
This weakness, however, is counterbalanced by Gardner's brilliant application of the cinema verite technique. Forest of Bliss lays bare a Benares we would see and experience had we been there. We are bombarded by sights and sounds: street noise, the silence of the river, the knelling of bells. We are tourists experiencing Gardner's "it," his ineffable sense of place and not an audience simply being led about like a dog on a leash. Forest of Bliss hangs before us nakedly exposed and uninhibited, without the protective cover of explication...