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...even taught full time until the end. In addition to teaching duties, Rogers served as the director of the Film Study Center, a resource for non-student filmmakers located on the fourth floor of Sever Hall. The founder of the Film Study Center and collaborator of Rogers, Bob Gardner, said in an email that, “At the end of his life we were engaged in a number of undertakings that would provide greater opportunities for creative individuals to do independent and experimental films feeling, as we both did, that the media world was unkind and inhospitable to that...

Author: By Erik Beach, CRIMSON STAFF WRITER | Title: Life and Times of Mr. Rogers | 4/19/2002 | See Source »

With the advent of April showers, however, come the hoards of prospective students—actually, more prospective parents—looking for a wayward admissions tip and a map to 8 Gardner Street. Do you mean Garden Street, sir? No, no, the woman on the phone said Gardner Street. Can you please hurry? The tour starts at 3 p.m.; it’s 12:30 now and I don’t want to be late...

Author: By Antoinette C. Nwandu, CRIMSON STAFF WRITER | Title: disjecta | 4/11/2002 | See Source »

...there are the occasional parents who seem not to have been possessed by Crimson demons. Parents who are focusing on being supportive instead of fanatical, they joke about their college days and ask me what my plans are for next year. If only I could radio back to 8 Gardner Street and give them a heads-up about the ones to take seriously and the ones to send packing...

Author: By Antoinette C. Nwandu, CRIMSON STAFF WRITER | Title: disjecta | 4/11/2002 | See Source »

...they straddle figurative and landscape art, and thus can be characterized by the conflict or harmony of the figure’s interaction with landscape. There are three photographs—by Collier Schorr, Gregory Crewdson and Todd Hido—and three paintings—by Tim Gardner, Elizabeth Peyton and Catherine Murphy. The Schorr is a literal and picturesque depiction of man in nature. The Crewdson and Hido photographs are interesting views of the domestication of landscape and the superposition of natural elements and images of suburbia...

Author: By Sarah R. Lehrer-graiwer and Natalia H.J. Naish, CONTRIBUTING WRITERSS | Title: Go Figure: Contemporary Art's Dilemma | 3/22/2002 | See Source »

...laws could come at a price. In Texas alone, the hunt industry brings in $1 billion a year; a crackdown could hurt both good ranches and bad. "Cattle prices have stayed the same for 40 years," says Gardner. "To hold on to acreage, you've got to have other sources of income." Safari Club International is worried that since hunting areas are so different, it may be impossible to pass a law that covers them all. "There's no standard to say what is and what isn't fair," says club spokesman Jim Brown. "You know it when...

Author: /time Magazine | Title: Hunting Made Easy | 3/11/2002 | See Source »

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