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When the Faure cabinet fell last February, Pinay trotted off as usual to the Gare de Lyon. He was on the way back from St. Chamond a few days later when a messenger clambered into his compartment at Dijon with President Auriol's invitation to take a fling at forming a government. He had the brashness...

Author: /time Magazine | Title: FRANCE: Man with a Voter's Face | 12/22/1952 | See Source »

...kidney disease; in Paris. As Ambassador to Rome during the '30s, he became a great friend of Mussolini, tried to keep Italy from joining the Axis. In 1937 he was plunged into a diplomatic scandal when, as he was about to board a train at Paris' Gare du Nord, he was shot in the groin by a French journalist named Madeleine de Fontanges, who claimed that he had ruined her romance with "My Benito" by advising II Duce...

Author: /time Magazine | Title: Milestones, Nov. 17, 1952 | 11/17/1952 | See Source »

...afternoon some 8,000 French security police, gendarmes and mobile guards, with helmets, Tommy guns, gas masks and rifles, were ready in the square. That evening, Communists by the thousands tore loose with stones, iron bars, clubs, broken bottles and metal chairs there and at other salients-the Gare du Nord, the Gare de 1'Est and a Metro station appropriately named Stalingrad...

Author: /time Magazine | Title: International: The Man in the Hotchkiss | 6/9/1952 | See Source »

...retire? Quipped white-haired Vishinsky, 68: "Qui vivra verra [He who lives shall see]." All but one of the satellite lackeys was at hand. Five minutes before the train was due to leave, U.N. Czech Delegate Gertruda Sekaninova-Cakrtova came breathlessly galloping down the platform of the cavernous Gare de l'Est, thrust a Cellophane box of orchids into Vishinsky's hand...

Author: /time Magazine | Title: UNITED NATIONS: Orchids for Andrei | 2/4/1952 | See Source »

Gigi is as French as Colette. But where Colette's Frenchness is everything meant by "Gallic," Director Raymond Rouleau's is everything called up by the Gare du Nord-bustling, clamorous, boisterous. This coarsens a play whose slightness should be equaled by its lightness, whose charm lies in the contrast between its manners and its morals. Such gentility may make the play seem more immoral, but without it Gigi is merely raffish, and less entertaining than it should be. Only such a tittle jewel of a scene as the scene of the jewels comes off completely. Otherwise, Gigi...

Author: /time Magazine | Title: The Theater: New Play in Manhattan, Dec. 3, 1951 | 12/3/1951 | See Source »

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