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...train window as it pulls out of the busy urban station. In the crowd of soldiers and milling civilians he spies his chunky colleague, Bob, who chases after the train, waving for Burma to get off. Suddenly, Bob clutches his chest. He shouts an address, "120, rue de la Gare," and falls, the back of his coat soaked in blood from multiple gunshots. As Burma tumbles out of the train, a beautiful girl in a trench coat stands in the shadows with a pistol in her slender hand. Burma passes...

Author: /time Magazine | Title: How Do You Say "Dirty Flatfoot" in French? | 12/5/2003 | See Source »

...mystery begins, but not on the streets of L.A., Chicago or New York. This is "The Bloody Streets of Paris," (ibooks; 192 pp.; $17.95), Jacques Tardi's comix adaptation of Leo Malet's 1942 French detective novel, "120, rue de la Gare." Instead of fedoras you get berets. Instead of bars you get cafes. But pretty much everything else that typifies the P.I. genre - sleazebags, oafish cops and beautiful girls - stays the same. With a fascinating French twist, the action takes place during the Nazi occupation. Where most detective fiction involves a city unofficially run by gangsters, here the villains...

Author: /time Magazine | Title: How Do You Say "Dirty Flatfoot" in French? | 12/5/2003 | See Source »

...direct and chose Karyo, the angular menacer who shone in Nikita, to play the spuming villain. The film's other star is Paris. Like any self-respecting thriller set in a famous city, Dragon stages action scenes in many local landmarks: the MEtro, a bateau mouche, the gorgeous Gare de l'Est, the Regina Hotel and the Paris sewers...

Author: /time Magazine | Title: Jet-ting to Paris? Oui! | 7/30/2001 | See Source »

Unfortunately, a pair of goals from Lanny Gare and Johnny Rogers stifled...

Author: By Jennie L. Sullivan, CRIMSON STAFF WRITER | Title: Men's Hockey Drops to No. 4 New Hampshire, 4-1 | 12/15/2000 | See Source »

Some of Klee's earlier work is more representational, though highly stylized, while his later pieces are colorful non-objective works. In "Menacing Head" (1905) a man stares from the frame with an intense gare, a small weasel-like animal perched on top of his head (although the fact is similar to Klee's this work is not considered a self-portrait). This early work foreshadows his later exploration of abstract visual symbolism. As the gallery notes state, Klee uses the two components to "expose human malvolence...

Author: By Tara B. Reddy, | Title: Birds, Bees and Botany At the Busch-Reisinger | 4/22/1993 | See Source »

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