Word: garfield
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Dates: during 1960-1969
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...well served by the shimmering, bleached-out color photography of Conrad Hall. It Is obvious from the opening scenes, however, that this is most deeply Director Polonsky's picture. Author of the remarkable script for Body and Soul ("Everybody dies!"), Polonsky made his directorial debut with another John Garfield movie, Force of Evil, in 1948. An ode to gangsterism and individual morality, it passed almost unnoticed on initial release. As a lifelong proponent of the sort of radical politics frowned upon during the witch hunts of the 1940s, Polonsky did not long escape the scrutiny of the House...
...Brecht's treatise portraying common man as war's much-buffeted victim, will be modernized for its presentation in the bucolic setting of Castleton College, Castleton, Vt. (July 15-26). George Tabori directs a cast that includes Wife Viveca Lindfors as Mother, Sam Schacht, Rudy Bond, Julie Garfield and Pat Suzuki as the whore, Yvette...
BLACK JACK, by Leon Garfield (Pantheon; $4.50). Resurrected after hanging, Black Jack and a young apprentice begin a wild progress across 18th century England that leads to murder, body snatching, and a love story. A splendid swashbuckling tale...
...purposes and not as an investment; second, to seek to provide housing for its faculty and students with minimum injury to the community; third, to expand vertically (with high-rise construction) rather than laterally (by new property acquisitions) wherever possible; and fourth, to remain within the area bounded by Garfield Street to the north and Putnam Avenue to the southeast. Additionally, the university has since 1928 made voluntary payments in lieu of taxes to that City of Cambridge on properties purchased and removed from the tax rolls. Of course Harvard continues to pay taxes on property not used for educational...
Although it was made last year, The Big Bounce has the look and tone of films long gone. As the ex-G.I., Ryan O'Neal plays a character patently modeled on John Garfield and uses an acting style that owes much to James Dean. Leigh Taylor-Young appears-frequently without clothing-as the sort of character that James M. Cain used to write about, a homicidal bitch goddess who attracts and destroys men with appetites that do not stop at sex. It is obvious that Warner Bros, hoped to package two agreeable young stars in some tried...