Word: garfield
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...Where Garfield Strutted...
There has not been a film star of such distinctly urban identity since the days of John Garfield. But there the similarity emphatically ends. Each was distinctly a man of and for his time. Garfield strutted down city streets in the late '30s and '40s, while Gould stumbles where somebody neglected to curb his dog. Hard times tempered Garfield into tough resiliency; the characters that Gould plays frequently need help ordering breakfast. Garfield wrestled with evil forces and emerged, if not untainted, then certainly unvanquished. Gould's characters can't hold their jwn against a teen-age mugger; they...
...complexity reduced to a sacrosanct canon of saccharine passages and colored pictures. It was a world from which textbook writers had effectively exorcised all inferiority and superiority, all ethical dimension. In our history books, other cultures were dealt with almost secondarily: America, like its TV heroes Ward Cleaver and Garfield Goose, survived all calamities and obstacles, fashioned mediocrity into national grace by way of an obtuse patriotism. Other cultures were compared to Amerika's, but with no sense of cultural relativity. From texts and Weekly Readers, we learned a national solipsism and irremedial egoism that made it possible...
...well served by the shimmering, bleached-out color photography of Conrad Hall. It Is obvious from the opening scenes, however, that this is most deeply Director Polonsky's picture. Author of the remarkable script for Body and Soul ("Everybody dies!"), Polonsky made his directorial debut with another John Garfield movie, Force of Evil, in 1948. An ode to gangsterism and individual morality, it passed almost unnoticed on initial release. As a lifelong proponent of the sort of radical politics frowned upon during the witch hunts of the 1940s, Polonsky did not long escape the scrutiny of the House...
...Brecht's treatise portraying common man as war's much-buffeted victim, will be modernized for its presentation in the bucolic setting of Castleton College, Castleton, Vt. (July 15-26). George Tabori directs a cast that includes Wife Viveca Lindfors as Mother, Sam Schacht, Rudy Bond, Julie Garfield and Pat Suzuki as the whore, Yvette...