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...picture stinks? Because they took a story about a jockey by Ernie Hemingway. It was called "My Old Man," and they decided to make a picture out of it. Sure, sure, they got some good actors for it. They get Micheline Prelle, of the Rive Gauche. And Johnnie Garfield. He's a good actor, Danny. He's a great actor. And Orley Lindgren. They say he's good, too, but if I had my way I'd ram that little brat's teeth down his gullet. I never saw anything as stupid as a lousy kid actor trying to talk...

Author: By Stephen O. Saxe, | Title: THE MOVIEGOER | 5/6/1950 | See Source »

...like Miss Prelle, Danny. You say Johnnie Garfield can act. So why does the picture stink...

Author: By Stephen O. Saxe, | Title: THE MOVIEGOER | 5/6/1950 | See Source »

...supporters were dragging their feet. Not only was Harry Truman used to the job he once had feared-he felt jauntily on top of it. "My God! What is there in this place that a man should ever want to get into it?" President James A. Garfield had once asked, in moody disillusionment. The question no longer seemed to occur to Harry Truman...

Author: /time Magazine | Title: THE PRESIDENCY: The Optimist | 4/24/1950 | See Source »

...John Garfield is the skillful jockey whose well-earned reputation for riding a crooked mile keeps him off U.S. racetracks. To his young motherless son (Orley Lindgren), who tags along from one continental track to another, the jockey is a hero. After double-crossing Italian Gambler Luther Adler by winning a race he was supposed to throw, Garfield flees to Paris, takes up with a chanteuse (Micheline Prelle) and buys his own horse to ride. He looks like a cinch to win the Big Race until vengeful Gambler Adler demands that he lose it or pay off with his life...

Author: /time Magazine | Title: Cinema: The New Pictures, Apr. 3, 1950 | 4/3/1950 | See Source »

...irrelevantly titled script gets no help from Director Jean (Johnny Belinda) Negulesco's studied straining for effects. Example: in Garfield's deathbed scene, a nurse gratuitously draws a window shade so that a shadow can fall over his face. Nor do the picture's hand-me-down roles make for good performances. France's Actress Prelle (formerly Presle), whose delicate playing was a major asset to Devil in the Flesh, has been transformed by more than a change of spelling. She is unimpressive in a role that makes her lift a wan voice in three interminable...

Author: /time Magazine | Title: Cinema: The New Pictures, Apr. 3, 1950 | 4/3/1950 | See Source »

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