Word: garfunkels
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...best songs, You Do and Save Me, Mann wrote for Magnolia; others were lifted from Bachelor No. 2, to be released next year on her new indie label, SuperEgo. Magnolia may be the best thing to have happened to sound tracks since Mike Nichols sat down with Simon and Garfunkel and came up with The Graduate. While it's unlikely to put an end to the star-packed sound tracks so popular now, Magnolia should bring wider exposure to a songwriting talent full of the soulfulness that today's commercially obsessed pop so often lacks and so badly needs...
...Brustein: Mozart and Shubert and Bach; vintage Simon and Garfunkel; and The Grateful Dead, when I'm in the company...
...meeting for every interesting club on campus, I'm taking a low-key tack. And I've been making time to take walksolong walks along the river, in the fresh autumn breeze, with nothing but my thoughts and the scenery. Sometimes, I can even hear nature singing Simon and Garfunkel: "Slow down, you're moving too fast you've got to make the morning last...
...accompanied him for a few duets, including a bulked-up The Sound of Silence. But by the time Simon began his solo set, it was all anticlimax. He put on a fair performance, but he was in the presence of an eclipsing talent. Now Simon must know how Art Garfunkel felt all those years...
...live performance did not live up to his recording reputation. His style, which seems to border on world-music kitsch, was very treble emphasized and percussion heavy, assuming an almost flippant, less weighty framework. Beginning his set with many of his earlier works, especially many he originally recorded with Garfunkel, his renditions of "Mrs. Robinson" and "Bridge over Troubled Waters" were unconvincing testimonies of his solo career. But the latter-day Simon finally came out during less-instrumental tinged moments such as an almost a capella version of "Slip Slidin' Away". At last, his didactically bohemian hand gestures appeared appropriate...