Word: garfunkels
(lookup in dictionary)
(lookup stats)
Dates: all
Sort By: most recent first
(reverse)
...LILAC TIME: THE LILAC TIME (Mercury). Bouncy, folk-tinged Brit pop, with jagged political subtext. Return to Yesterday has the jubilant rhythm and incidental melancholy of prime Simon and Garfunkel...
...more politically preoccupied. But the personalities and anthems of rock gave pulse to the politics and identity to the young. It was the sound that they inhabited -- Steppenwolf, Country Joe and the Fish, the Jefferson Airplane, the Grateful Dead, Marvin Gaye, Jimi Hendrix, Janis Joplin, Simon and Garfunkel, the Beatles going into their White Album phase and, above all, Bob Dylan, still. Dylan's music had a genius of portent: "The answer, my friend, is blowin' in the wind." Back in 1965 he had written, "Something is happening here, but you don't know what...
...mind, but some confusion has always attended John Jarvis' music. When he was pumping the piano in Rod Stewart's band, he bore down hard on the rockers. Then he would slip on down the street to another recording studio and move gently along the keys for an Art Garfunkel ballad. When Stewart and Garfunkel once got to comparing the merits of their favorite keyboardists, it took them a while to realize that they were both talking about Jarvis...
...sure, May has sent her plot sense out for assertiveness training. One recognizes her terrible songsters as authentic May characters; she has always had compassion for articulate, depressed dreamers grounded in reality only by two left feet. With visions of Simon and Garfunkel galumphing through their minds, the Rogers and Clarke duo have been sent by their agent to try out their new lounge act -- as far out of town as possible. In Ishtar, they get muddled up with Isabelle Adjani, whom they both mistake for a boy at first; a CIA operative (Charles Grodin) who is not nearly...
...project that was to become his splendid new album, Graceland, he was, in his own words, "not hot in any way." One-Trick Pony, the 1980 feature film he wrote and starred in, bottomed out at the box office. A 1983 tour with his old partner Art Garfunkel was a nostalgic about-face. Hearts and Bones, in 1983, did not even offer up one high-charting song, a novel situation indeed for the author of such classics as Bridge Over Troubled Water and Mrs. Robinson. What was needed, clearly, was something a little different. It was called Gumboots...