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...Battle (Léon Garganoff) tells the story of a Japanese naval commander's burning devotion to his country. Adapted from Claude Farrère's novel La Bataitte, the tale involves a "neutral" British observer who has the run of a Japanese flagship, the Japanese commander's unhesitating use of his dutiful wife to get naval secrets his country needs, his final expiation of this dishonor. Aside from the extravagances of the plot, the pictorial treatment of The Battle is nearly perfect...

Author: /time Magazine | Title: Cinema: The New Pictures: Dec. 3, 1934 | 12/3/1934 | See Source »

...more important than the commander's personal tragedy are the remarkable battle sequences in the last reel, an international patchwork of action shots enterprisingly assembled and cleverly welded. Russian-born Léon Garganoff and some of his fellow émigrés in Paris started an unpretentious photographic laboratory called Société Anonyme Lianofilm, made enough profit to try a picture. Garganoff sent Nicholas Farkas, his crack cameraman, to Japan. Farkas made a close study of aristocratic Japanese interiors, got shots of harbors cluttered with boats, of Japanese street crowds. He claimed that he made films...

Author: /time Magazine | Title: Cinema: The New Pictures: Dec. 3, 1934 | 12/3/1934 | See Source »

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