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Word: garish (lookup in dictionary) (lookup stats)
Dates: during 1990-1999
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Usage:

Swoon, another fable of a vicious, failed crime, renounces the garish naturalism of Reservoir Dogs. Swoon is artifice aspiring to art. So was the 1924 atrocity it portrays. When Nathan Leopold (Craig Chester) and Richard Loeb (Daniel Schlachet), two rich young homosexuals, murdered the child Bobby Franks, they were creating a portrait of themselves: powerful elitists, unsullied by the vulgarity of conscience. Director Kalin -- a comer -- is smart enough not to explain the murderers. Instead, in a chiaroscuro cinema style that suggests morgue photos taken by Cecil Beaton, he presents the pair as stars of their own camp pageant...

Author: /time Magazine | Title: Adding Kick To the Chic | 11/16/1992 | See Source »

...this white girl walking with him." Though Slater denies he is a racist -- "I'm white and I'm proud" -- he has been linked directly to antiblack and anti-Semitic literature passed out in local high schools by supporters. His true beliefs are evident in the garish tattoo beneath his white shirt and tie. It features a montage of his heroes, including Hitler, Mussolini and Charles Manson...

Author: /time Magazine | Title: White & Wrong | 7/6/1992 | See Source »

There are good things for people in the Square to be against. Litter, garish advertising and lousy architecture, for instance. But McDonald's is a red herring in all three cases...

Author: By Ira E. Stoll, | Title: Mom 'n' Pop versus the Golden Arches | 6/30/1992 | See Source »

...been ascribed to Rembrandt, and they cannot all be by him. The reductionists' ax of the Rembrandt Research Project has fallen on paintings that no one with half an eye, after seeing this show, could go back to thinking of as Rembrandts: How did the light, high-colored, almost garish Feast of Esther by Jan Lievens, or the finicky execution of Gerrit Dou, ever get mistaken...

Author: /time Magazine | Title: Art: Really Rembrandt? | 5/25/1992 | See Source »

...consumption. For good measure, the audience is favored with a gratuitous glimpse of the Aborigine as a Noble Savage, revealed in appropriately lyrical phraseology: "A giant canoe drifts on the sea, clouds billowing from upright oars. This is a dream which has lost its way." Despite such instances of garish scriptwriting, Our Country's Good succeeds in being a masterpiece of realism...

Author: By Ashwini Sukthankar, | Title: Art's Redemptive Powers Triumph in Our Country's Good | 5/1/1992 | See Source »

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