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...loafers. It is hard for Journalist Tom Wolfe, 50, (The Kandy-Kolored Tangerine-Flake Streamline Baby; The Right Stuff) to keep his identity under his hat, especially when it is a hand-blocked and brushed blue felt bowler like the one he is sporting in front of the studiously garish former Huntington Hartford Gallery of Modern Art on Manhattan's Columbus Circle. The Wolfe in chic clothing, having savaged much of the modern art world in The Painted Word (1975), unleashes his hell-bent prose on the architectural profession this fall in From Bauhaus to Our House (Farrar, Straus...

Author: /time Magazine | Title: People: Jun. 29, 1981 | 6/29/1981 | See Source »

...headlines. Yet late last month, after a year and a half in city hall, the slight, sandy-haired Republican mayor of Cleveland indulged himself in a bit of well-earned whimsy. At a Cleveland Indians' home game against the New York Yankees, Voinovich showed up wearing a garish T shirt under his neat sports coat. NEW YORK'S THE BIG APPLE, proclaimed the shirt, BUT CLEVELAND'S A PLUM. Breaking out in a sheepish grin, he then tossed a real plum to the Indians' catcher...

Author: /time Magazine | Title: Nothing Rotten about the Big Plum | 6/15/1981 | See Source »

...baseball's most colorful and innovative franchises. Finley was one of the first proponents of the designated hitter. He tried out orange balls. He brought a mule into the ballpark as a mascot, installed a mechanical rabbit to bring baseballs to the umpire. He gave the game the garish doubleknit uniforms that became commonplace. He harassed his managers by telephoning strategy to the dugout, yet installed a 16-year-old fan as vice president. For all his buffoonery, Finley was as shrewd a judge of talent as any in the sport since Branch Rickey. Roll the names over...

Author: /time Magazine | Title: Happy Playing Billyball | 5/11/1981 | See Source »

Still, Boorman provides some dazzling images: Uther riding across a sea of dragon's breath: a bizarre scene that crosscuts an act of adultery with the gruesome death of the betrayed husband: Perceval, hanging, nearly dead, as his Other Self reaches for the Holy Grail. Alex Thompson's garish cinematography gives every scene a fantastical fiery glow and Anthony Praff's production design is, by inappropriate turns, marvelous and ridiculous. For instance, most of his medieval castles have a finely detailed primordial look, but his contrast to these palaces, the new and civilized Camelot, is a high-tech Xanadu full...

Author: By Jacob V. Lamar, | Title: Blood and Sex and Chivalry | 4/17/1981 | See Source »

...GARISH, cosmic nightclub, the figures on the floor drug-addled, lobotomized, throwing each other over, punching each other up, selling each other out. Elvis Costello has played a lot of clubs these last few years; after an angry, violent American tour, morsels of America sizzled in his brainpan, and in Get Happy!! Elvis thrust his middle finger up her dumb whore B-Movie hole, the music as hyper-energized, as fractious and scrappy as the country itself. It was a smashing, reverberating disc that some of us thought would go through the roof critically and commercially. Alas. audiences and rock...

Author: By David B. Edelstein, | Title: Something of a Middlebrow | 4/2/1981 | See Source »

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