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...lights go low at Manhattan's garish Latin Quarter nightclub. Onto the stage glides a slim-hipped, broad-shouldered man in white tie and tails. He grasps his partner, a stunning redhead in black tights, whirls her over his head on one arm, hurls her dramatically in a split-legged fall to the floor. The dance team is Nicholas Darvas and his half-sister, Julia, one of the top acts in the U.S. What the tired businessmen watching the show do not realize is that Hungarian-born Nicholas Darvas, 39, is a better moneyman than most of them...

Author: /time Magazine | Title: Business: Pas de Dough | 5/25/1959 | See Source »

...vast old movie palace sat on the Atlantic City boardwalk like an aging burlesque queen living on a Minsky pension. Fading nudes hung in the garish foyer; tired stars peeled off the blue-sky ceiling. The place was so big that a dusty curtain divided it in half, and on the working side there were still 1,310 seats. It was hardly the setting for an intimate, sophisticated new drama: Dear Liar, an adaptation by Actor Jerome Kilty of the famed letters between George Bernard Shaw and Victorian Actress Stella (Mrs. Patrick) Campbell. Nor was it precisely right...

Author: /time Magazine | Title: THE ROAD: Shaw with Water | 4/27/1959 | See Source »

Trembling with fatigue from the top of her platinum-blonde hair to the tips of her dainty little (size 5) shoes, the onetime idol of 2,000,000 G.I.s faced newspaper photographers one night last week in a cramped backstage office of Manhattan's garish Latin Quarter. "Let's have a leg shot, Betty," shouted a cameraman, and gamely she snaked out one of the most celebrated gams this side of Marlene Dietrich. "Spread open your dressing gown," snapped one photographer. "You look like you only...

Author: /time Magazine | Title: NIGHTCLUBS: Ham & Legs | 4/13/1959 | See Source »

Munakata does not always maintain the virtuoso standards of this religious series. Lapses occur when he adds colored ink to the black and white woodcut. Munakata, it seems, is not in any way as gifted a colorist as he is a draftsman. His heavy, almost garish, coloring emphasizes how far he has turned from the nice distinctions of tone and shade in eighteenth and nineteenth century Japanese prints. This very simple style, more Western than Oriental, mainly produces naive results; the childish, pseudo-folk art atmosphere of Stones in Water and Hawk Woman is most disturbing. However, the best color...

Author: By Clay Modelling, | Title: Shiko Munakata | 3/27/1959 | See Source »

Demure, with downcast eyes, displaying a modesty beneath which lies tempered steel, 24-year-old Michiko Shoda last week crossed the blue moat surrounding the Imperial Palace. Behind her lay the roaring, garish city of Tokyo, with huge advertising balloons adrift above the rooftops. Ahead stretched the quiet greenery of the palace grounds, where unpaid volunteers tended the gardens. As her chauffeur-driven car passed through the tall gateway, guarded by policemen with gold chrysanthemums on their collars, Michiko was carried into the secluded "world within the moat" that will be hers next month on her marriage to Crown Prince...

Author: /time Magazine | Title: JAPAN: The Girl from Outside | 3/23/1959 | See Source »

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