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Meet Me in St. Louis lacks the main asset of the 1944 film, Judy Garland, while shouldering its burden, the wan, uneventful plot. It seeks not only happy endings but also happy beginnings, happy middles, happy everything in between. Yet its charms include six songs from the film plus eleven more from the same team, Hugh Martin and Ralph Blane; a Disneyesque confection of Victorian houses; ice skating on a real-looking pond; a trolley that moves; and a lighted-up 1904 World's Fair...

Author: /time Magazine | Title: Theater: Warmed Over and Not So Hot | 11/27/1989 | See Source »

Bond and his lawyer, Edward T.M. Garland, declined comment after the lawsuit was filed. A hearing is scheduled November...

Author: NO WRITER ATTRIBUTED | Title: Bond Refutes Paternity | 11/9/1989 | See Source »

Twelve years ago, Bonnie Garland, a pretty, upper-class Yale student, was murdered. Her estranged boyfriend went up to her bedroom one night and with a hammer cracked her head open "like a watermelon," as he put it. Murders are a dime a dozen in America. But the real story here, the real horror, chronicled in painful detail by Willard Gaylin (in The Killing of Bonnie Garland), was the aftermath: sympathy turned immediately from victim to murderer, a Mexican American recruited to Yale from the Los Angeles barrio. Within five weeks he was free on bail, living with the Christian...

Author: /time Magazine | Title: Essay: Crime And Responsibility | 5/8/1989 | See Source »

...York the instinct to "Garland" the monstrous -- to extenuate brutality and make a victim of the victimizer -- is more attenuated than in the Ivy League. The New York tabloids, the moral voice of the community, are full-throated in their vilification of the monstrous "wolf pack." It is their social betters, those from the helping professions, who have lost their moral compass. It is they who would Garland this attack if they could...

Author: /time Magazine | Title: Essay: Crime And Responsibility | 5/8/1989 | See Source »

...have gone crazy over there, they seemed to say, but here, here in America, there is still safety. Even that sunny musical, Babes in Arms, ends in a curious and, in retrospect, quite poignant, plea for peace. "We send our greetings to friendly nations," sings the chorus, led by Garland and Rooney. "We may be Yanks, but we're your relations. Drop your sabers, we're all going to be good neighbors here in God's country...

Author: /time Magazine | Title: Show Business: 1939: Twelve Months of Magic | 3/13/1989 | See Source »

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