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Neville Mullard, 43, lives with his widowed mother Betty in a Hong Kong house called, in honor of their native land, Albion Cottage. The late George Mullard left his wife and son, nicknamed Bunt, half-ownership of Imperial Stitching, a garment-manufacturing firm located in an eight-story building in Hong Kong's Kowloon Tong district. The unexpected death, in early 1996, of Mr. Chuck, the refugee from China who co-founded and owns the other half of Imperial Stitching, leaves the whole shebang to the Mullards, mother and son. Their pleasure in assuming full control is dampened somewhat...

Author: /time Magazine | Title: BOOKS: HANDING OVER HONG KONG | 6/2/1997 | See Source »

...imminent change, writes TIME Literary Critic Paul Gray. Neville Mullard, 43, lives with his widowed mother Betty in a Hong Kong house called, in honor of their native land, Albion Cottage. The late George Mullard left his wife and son, nicknamed Bunt, half-ownership of Imperial Stitching, a garment-manufacturing firm located in an eight-story building in Hong Kong?s Kowloon Tong district. The unexpected death, in early 1996, of Mr. Chuck, the refugee from China who co-founded and owns the other half of Imperial Stitching, leaves the whole shebang to the Mullards, mother and son. Their pleasure...

Author: /time Magazine | Title: Weekly Entertainment Guide | 5/23/1997 | See Source »

...mentally scarred by his experience in Vietnam. In addition to his loss of sight, he is lonely because he has left behind his Vietnamese girlfriend, Zung (Winnie Li '00). She haunts his memories and even his life, literally, often floating ethereally across the stage in a traditional Vietnamese garment...

Author: By Mary-beth A. Muchmore, | Title: When Johnny Comes Marching Home | 4/17/1997 | See Source »

...parents were Jewish immigrants who met while working in New York's garment trade. The family moved to a decayed section of Brooklyn, where Wald spent his youth...

Author: NO WRITER ATTRIBUTED | Title: Nobel Winner, Peace Activist Wald Dies | 4/16/1997 | See Source »

...Galliano. While novice tailors listen, he talks about the designer's famous bias-cut dresses, many of which he has worked on. Galliano demands toiles (patterns) not of traditional muslin but of the same fine fabric the gown will be made of, and will not look at a garment in progress unless it is on a live model. It's a long, painstaking, expensive process...

Author: /time Magazine | Title: FASHION: ON THE CUTTING EDGE | 11/11/1996 | See Source »

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