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During his campaign for the Assembly, d'Aubuisson vowed to kill "every last Communist in this country." Since the election in March, he has softened his tone, hoping to garner support from Washington With a $60 million U.S. arms package under his arm, d'Aubuisson will probably try to make good on his promise Congress. In backing the Administration's request, he given legitimacy to a man who must be considered guilty until proven innocent...

Author: NO WRITER ATTRIBUTED | Title: A Mere Excuse | 5/21/1982 | See Source »

Everything leads us back to More and what we're to expect from the actor who portrays him. More has to garner the respect and then murderous wrath of a king, he has to deserve the devotion of his loved ones, and he has to spiritually prevail over the evil...

Author: By Rebeera J. Joseph, | Title: More Is Less | 4/22/1982 | See Source »

...singer. Victoria (Julie Andrews) who is befriended by a failing gay nightclub entertainer. Toddy (Robert Preston). He appreciates her vocal talents and realizes how to market her. She becomes Victor, a delicate, unknown member of the Eastern European nobility who is Paris's greatest female impersonator. Enter King (James Garner), a Chicago gangster who becomes Victoria's love interest but refuses to accept the label of homosexuality his low-life companions attach to him because of his association with "Victor." Complications ensue...

Author: By Clea Simon, | Title: No Surprises | 4/13/1982 | See Source »

Stylistically, the film is a cultural hodge-podge filled with misplaced Americanisms and out of context references. Andrews and Garner discuss "relationships" as only post-1960's lovers would, and her career versus marriage conflict seems equally anachronistic. Henry Mancini's lavish musical numbers are supposedly the main attraction for a decadent nightclub, but his pieces are hardly very risque Yet the plot and competent acting hold Victor Victoria together...

Author: By Clea Simon, | Title: No Surprises | 4/13/1982 | See Source »

WITH A LITTLE IMAGINATION Julie Andrews almost appears masculine, although her delicate features and slim jaw make David Bowie resemble some of the heftier Hasty Pudding hoofers by comparison. But the premise and the setting render nothing unbelievable and Ms. Andrews. Edward's wife, is a fine comedienne. With Garner as her straight man. Andrews jumps elegantly from wicked, flirtatious girl to mock-elegant Victor. Her more serious moments, played with her friend and protector Toddy, portray a woman getting toughened by necessity and occur infrequently. Sadness and loneliness have no place in light comedy, but these occasional exhausted...

Author: By Clea Simon, | Title: No Surprises | 4/13/1982 | See Source »

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