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Actress Young is seldom out of Director Tay Garnett's camera; her excellent acting almost turns Cause for Alarm! into a one-woman show. But a tight script by Mel (The Window) Dinelli and Producer Tom Lewis also contains rounded minor roles, unusually well played by Margalo Gillmore as a garrulous busybody and Irving Bacon as a footsore postman slogging toward his pension...

Author: /time Magazine | Title: Cinema: The New Pictures, Feb. 26, 1951 | 2/26/1951 | See Source »

Castoff Shirts. Like her father, Helen Frick has spared no expense. In 1928 she appointed Dr. Frederick Mortimer Clapp, head of the fine arts department of the University of Pittsburgh, as general editor, got Porter Garnett and later Bruce Rogers,, topflight book designers, to lay out the format. She brought dozens of art scholars to Manhattan, some from as far as Spain, France and Britain, to examine the Frick masterpieces and write the catalogue's text pieces...

Author: /time Magazine | Title: Art: Spare No Expense | 5/1/1950 | See Source »

...past ten years, Dr. Garnett Cheney of Stanford University's School of Medicine has been studying an anti-ulcer factor he tentatively calls vitamin U (TIME, Jan. 1, 1945). Tests on patients have been encouraging; their ulcers got better when Dr. Cheney fed them on foods containing vitamin U, but he could not prove that U did the trick...

Author: /time Magazine | Title: Medicine: U for Ulcers | 1/24/1949 | See Source »

Married. Katherine Ames Byrd, 23, second of three daughters of Rear Admiral Richard Evelyn Byrd; and Robert Garnett Breyer, 29, strapping ex-Army major employed in an automobile agency; in Boston...

Author: /time Magazine | Title: Milestones, Oct. 27, 1947 | 10/27/1947 | See Source »

Wild Harvest was directed by Tay Garnett, who has a flair for directing men and melodramas (Bataan, Cross of Lorraine). Whenever his men are hard at work or at their more believable kinds of play, Director Garnett shows what a good movie this might have been. His harvesters' dance is a fine, forlorn scene, and he stages quite a hair-raising wheat fire and a particularly violent chase. But he seems to have realized that nothing could be done with the tense Lamour-Ladd relationship except to treat it as slightly ridiculous...

Author: /time Magazine | Title: The New Pictures, Oct. 6, 1947 | 10/6/1947 | See Source »

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