Word: garret
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Dates: during 1960-1969
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...shallow, bourgeois mother Ruth; precocious and sensitive son Tom (he's just won a national English contest); and maiden but equally sensitive aunt Emily. The action of the play centers around bringing Tom and Emily together, breaking down the walls of alienation which are physically represented by their separate garret-like rooms. Emily speaks to Tom only through monologues into a tape recorder, a device which Mr. Schwartz uses to great advantage...
Sooner or later someone is certain to puzzle out a formal definition of urban community development. Out of his garret and into the sun he'll come bandying his sheet of convoluted prose only to be greeted with a recent erasure in Webster's New Collegiate. Exactly what he'll find where urban community development once stood is hard to say -- perhaps something like "better burg breeding" or "coached community commotion" or any one of a thousand possible locutions which would shed an aura of respectability on an undertaking whose very nature suggests a lurking, sleight-of-hand presence...
...Nazis invaded France, she begged her son to do anything that they asked in order to stay near her, rather than be shipped off to a forced-labor camp in Germany. When he returned, a hunted, hated collaborator, to her after the war, she hid him in the empty garret above her second-story apartment in a grim, redbrick building in a working-class suburb of Lille...
...years. Police kept him on their "wanted" list, but cunningly, Yvonne Vasseur shopped for two on her tiny widow's pension by dividing her purchases among several shops. She knit him special slippers with felt soles, so that the neighbors would not hear him. In his garret Vasseur learned seven languages to add to his French and German; she learned Latin to help him along, brought him down to watch TV on quiet nights. In 1962, police discovered him accidentally. Paying a routine call on Mme. Vasseur, they rang the neighbor's doorbell downstairs by mistake, then knocked...
...that's the trouble. Everything is just a little too hectic. It's more Jarry's responsibility than Zimet's. Jarry was a Frenchman who lived in a garret with two owls and a stone phallus around the turn of the century. He took a schoolboy satire of a fat stupid professor and turned it into Ubu Roi. It's a forerunner of nearly everything: epic theatre, theatre of the absurd, Bullwinkle and the Filthy Speech Movement. You can't cram that much into a play without its getting overstuffed...