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Word: garson (lookup in dictionary) (lookup stats)
Dates: during 1940-1949
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Usage:

...Tillie Siegel, 50, of Los Angeles, sued Grauman's Chinese Theater for $5,000 damages. Mrs. Siegel claimed that she had stubbed her toe on Greer Garson's footprint in the cement outside the theater, fallen and suffered bruises, scratches and "discomfort...

Author: /time Magazine | Title: MANNERS & MORALS: Americana, Jun. 7, 1948 | 6/7/1948 | See Source »

...Gene Tunney, ex-King Refer of Yugoslavia, the late Actor George Arliss, the late "strongman" John Metaxas of Greece and Lord Beaverbrook. From their waxy ruins will rise the figure of Comic Danny Kaye, latest toast of London. Also to be unveiled shortly: a carrot-haired effigy of Greer Garson, first actress to be waxed since Katharine Hepburn...

Author: /time Magazine | Title: People: People, Mar. 22, 1948 | 3/22/1948 | See Source »

This rather florid drama is written with considerable Broadway sleekness by Garson Kanin and his wife, Actress Ruth Gordon, and is appropriately directed by George Cukor. It offers Signe Hasso her best chance to date to prove that her beauty and talent deserve better roles than she usually gets; Newcomer Shelley Winters makes a sure hit as a waitress...

Author: /time Magazine | Title: The New Pictures, Feb. 23, 1948 | 2/23/1948 | See Source »

...Hart, a rat of the Paris sewers, tells Miss Garson that her husband (Mr. Mitchum) died before his eyes, as a prisoner of war in Germany. Since the audience knows that Mr. Hart knows that Mr. Mitchum is alive, it is clear that he desires Miss Garson more than he ought. Believing his story, and tired of "waiting" (a word used in this film as a ten-ton synonym for celibacy), Miss Garson somewhat disconsolately, but uncensorably, starts desiring Hart...

Author: /time Magazine | Title: The New Pictures, Oct. 13, 1947 | 10/13/1947 | See Source »

...most of the picture smacks of the studio. There is a beautiful stone house on a beautiful stretch of shore: it looks like a fine place to live in, but the principals who live there are not plausible enough to deserve the privilege. Once in a while Greer Garson demonstrates that a good actress is jailed inside all the suffocating wax that the studio has molded around her. Newcomer Richard Hart makes a cagey, personable deceiver. Robert Mitchum tries a Gallic gesture now & then but most of the time he just looks sleepy. No audience will blame him much...

Author: /time Magazine | Title: The New Pictures, Oct. 13, 1947 | 10/13/1947 | See Source »

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