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...LITTLE DRUMMER BOY (NBC, 7:30-8 p.m.).* An animated musical, based on the popular Christmas song, featuring the voices of Greer Garson, Jose Ferrer and the Vienna Choir Boys...

Author: /time Magazine | Title: Television: Dec. 20, 1968 | 12/20/1968 | See Source »

...music-hall mugging to get things off dead center, and Lesley Ann Warren does her maidenly best as Daughter Cordelia having a romance with Angier Duke (John Davidson). But the only bright spots in this Philadelphia story are provided by the English elegance of Gladys Cooper and Greer Garson in their pre-World War I costumes, and the American elegance of a really dazzling collection of vintage cars...

Author: /time Magazine | Title: Cinema: A Biddle as Boor | 12/15/1967 | See Source »

...Broadway prank, MacBird. Obviously, these works have little in common aside from their relative popular momentum and their respective pans from Walter Kerr. Beckett's sad farce, already found on at least three Harvard reading lists, seems firmly included in the century's catalogue of major literature. Barbara Garson, on the other hand, has chosen quite deliberately to write on water in order to capture and abuse a given historical minute. (She hasn't succeeded very well, although parts of MacBird are screamingly funny.) Her mounting royalties, however, reflect the decade's most apparent theatrical pattern: a growing audience demand...

Author: By Timothy S. Mayer, | Title: The Cult of Social Theater | 6/15/1967 | See Source »

...then there's Shakespeare, who must be regarded as an accessory to the production. Miss Garson told a Newsweek reporter, 'I was unhappy when I couldn't find a corresponding scene (in Shakespeare)--then I had to write the scene myself. I'm glad I used Shakespeare; it allowed me, an inexperienced playwright, to shape things in the play." Macbeth, Hamlet and Julius Casear provide matrices for most of MacBird's episodes, and supply the better part of the linguistic embroidery. Miss Garson also draws on Othello for bits of martial brouhaha and on Richard II for the pervasive vegetable...

Author: By Stuart A. Davis, AT THE CHARLES PLAYHOUSE INDEFINITELY | Title: Mac Bird | 6/14/1967 | See Source »

...underground author confronted the overworld, exposing dangerous private fantasies to public eyes and ears" (Brustein) or "a needed corrective, a purgative of our Stygian world" (Clureman). There is nothing cathartic in its grim charade, and this is not because reality has surpassed the imitation. It is because Miss Garson's satire renders her targets immune to further burlesque by grasping--just once, and fleetingly--all the obvious uglinesses of American politics without giving a sweet damn for what they point to. If her wry defloration of ideology is pale beside Brecht's, her portrayal of convention-hall mores does...

Author: By Stuart A. Davis, AT THE CHARLES PLAYHOUSE INDEFINITELY | Title: Mac Bird | 6/14/1967 | See Source »

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