Word: gaslighters
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...could spend days exploring old Back Bay, but Harvard students, like everyone else, eventually must return to their beds for slumber. To do so, walk past the gaslight street lamps on Commonwealth Ave. to Mass. Ave. There you can pick up the bus for Harvard Station. Ten minutes later, you'll be back in the Square. And if you must, there's T station two blocks away at the Hynes Convention Center...
...wrote new lyrics to arias by Gounod, Offenbach, Verdi, Mozart and Donizetti. Lloyd Webber considered producing an embellished version of it, then decided to do his own. Thank heavens. Hill's backstage farce is a kind of Noises Off without the wit, and the cast plays it as hammy gaslight farce -- a penny dreadful that at today's prices plays like a $32.50 dreadful. It alights this week in Indianapolis and Kansas City, Missouri...
...weight -- even the yellowed skulls that remind his saints (and his audience) of their mortality -- are not so much rendered as embodied. Like Caravaggio's, his early St. Jeromes and St. Sebastians seem transfixed by light, which hits them from a single-point source. In the days before gaslight, this was known as "cellar painting" because the only way to get the effect was by putting the model in darkness with a window that let in a single ray of sun. This gave their poses and gestures both the emphasis of drama and a degree of abstraction...
...hold of me" as the spirits rose up to drink blood. Every ethnic group has spun folktales of the ungrateful dead. Even so, horror did not become a literary convention until the late 18th century, when the gothic novel described the exotic terrors of old feudal keeps. In the gaslight era, the supernatural took hold of the public imagination, and British authors quickly dominated the field. Their very names suggest creaking Victorian stairways, forbidden rooms and disembodied spirits: Montague Rhodes James, J.S. Le Fanu, Eden Phillpotts, Algernon Blackwood. In the U.S., an alcoholic and sickly journalist led readers down dark...
...Gaslight comes complete with an Academy Award-winning performance by Ingrid Bergman, a wonderfully oily turn by Charles Boyer, and Angela Lansbury as a teenager in an early role. Bergman is haunting as a naive young maid who is duped by primo sleazebag Boyer, who wants to steal her family jewels. The ending is so trite and stylized that one half expects a knight in shining armor to stride up the stairs of Bergman's London townhouse. But this is mere Kabuki '40s style, so just lap up Bergman, who hits some real highs during her (and our) two-hour...