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...Lantern offers other, more exalted orders of ogling. As it plays out its melodrama, it | radiates a ravishing color scheme; it delights in the symmetrical framing of gorgeous objects, human and architectural. For the Westerner, it offers a tour of exotic lands and customs: China in its last imperial gasp. How very sumptuous, you will say of the visual style -- though Red Lantern was made for an impossibly thrifty $1 million...

Author: /time Magazine | Title: Princesses in A Pretty Prison | 4/6/1992 | See Source »

Okay, so you skeptics might be saying, "The Children's Museum (gasp), how puerile! Why would I ever go there...

Author: By Kelly T. Yee, | Title: Hanging Out at the Children's Museum | 2/20/1992 | See Source »

...fact, according to the rumor mill, Jessica Hahn may have needed them too, as may have Melanie Griffith, Jane Fonda, Brigitte Nielsen and even, gasp, Dolly Parton. Why take chances? The doctors know there are not only obvious forms of micromastia, discernible to the man on the street, but insidious, hidden forms -- very well hidden indeed...

Author: /time Magazine | Title: Stamping Out A Dread Scourge | 2/17/1992 | See Source »

...BUCHANAN CANDIDACY, in many ways, is the last gasp of a once-proud movement. Buchanan, by most definitions, represents what political observers call paleoconservatism, a movement otherwise in remission for four decades. Protectionism and isolationism were the hallmarks of this Old Right--tenets that are rejected by most Americans today. This is the movement for which Pat Buchanan is today's standard bearer...

Author: By Harry JAMES Wilson, | Title: Not the Right Stuff, Baby | 2/15/1992 | See Source »

From moonlit skirmishes between pioneers and Cherokee to daylight thievery by speculators and tame judges, from Civil War marauders to union-busting goon squads, from the last gasp of industrial fever to the fresh air of environmentalism -- Robert Schenkkan's THE KENTUCKY CYCLE, playing at the Mark Taper Forum in Los Angeles, aspires to no less than a history of the U.S., spanning two centuries in seven hours. If his view of the past is cruel, his factual grounding is solid. But what makes the work so hauntingly memorable is a poetic impulse, not a prosaic one. He confines...

Author: /time Magazine | Title: Theater: Ritual and Realism | 2/10/1992 | See Source »

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