Word: gasparo
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...Dvorak: Four Piano Trios The Lanier Trio (Gasparo). The Dvorak piano trios are four of the glories of the chamber-music literature; the sorrow and the pity is that they are not known to a wider audience. The Lanier Trio -- William Preucil, violin; Dorothy Lewis, cello; and Cary Lewis, piano -- lavish impeccable ensemble and golden tone on each piece...
...from Bach's organ Toccata, Adagio and Fugue, and Casals' own arrangement of the ever-lovely Faure song "Apres un reve," both of which demonstrate Moye's marvelous legato bowing; and the dashing encore piece Requiebros that was written for and dedicated to Casals by his one-time student Gasparo Cassado...
...Italian opera," snorts one Milanese buff, "is going to the dogs because so many dogs are singing it today." Symptomatic of the problem was La Scala's season-ending production last week of a 147-year-old opera called Olympie, by Gasparo Spontini. It flopped, mainly because it lacked a singer of superstar rank. In the past, the company could dredge up any old potboiler, cast Callas or Tebaldi in the lead, and have a resounding success. But now Callas and Tebaldi are little more than memories in Italy. Along with the younger corps of fine singers, they have...
...surgeons of old had some success in using part of a man's own arm to rebuild a nose or ear, but as early as 1597, Gasparo Tagliacozzi of Bologna wrote with great insight that "the singular character of the individual entirely dissuades us from attempting this work in another person, for such is the force and power of individuality." Three centuries later, Charles Claude Guthrie and Alexis Carrel learned the wisdom of this judgment. With great virtuosity, they proved that organ grafts between animals were surgically possible. Guthrie even succeeded in grafting a second head onto...
Last week in Genoa some 2,000 visitors passed through the austere Villa Doria, examining and occasionally touching 189 graceful and lustrous stringed instruments, including one cello, 16 violas, 171 violins. The oldest was a small, ornamented Gasparo da Salo, dated 1609; the most famous was Paganini's own powerful Guarneri del Gesu, given to him (by a wealthy Leghorn merchant) on the condition that nobody else would ever perform on it; the most prevalent were modern models patterned closely after Stradivari designs. Because of their popularity among wealthy foreign fiddlers, there were no Strads at all available...