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...highly developed instinct for this sort of rock-kineticism. The drummer, Jimmy Hodder, always maintains a sharp edge to his drumming, which is in part a function of the extreme, pungent clarity of every one of his beats, the bassists (Lassie Sachs) consistently keeps up a furious fluttering, Bobby Gass, on organ, punctuates the music with gigantic, sudden, marching chords, constantly accenting with his left hand the lyrical melodies that he plays with his right. The lead-guitarist, John Sheldon, has the kind of rhythmic chording sense that is so conspicuously absent in most white American rock-guitarists. In addition...

Author: By Salahuddin I. Imam, | Title: The Bead Game | 5/9/1969 | See Source »

...five man band at its best makes a tight inventive sound heavily steeped in today's slick-blues sound. Their influences are diverse: two members of the band swear by soul music, two others have strong feelings about the Doors--John Leone, the strapping singer detests them, while Bob Gass, a soaring organ player loves them. But all of them share a common commitment to being dedicated to their music and have been approached by Vanguard about a recording contract...

Author: NO WRITER ATTRIBUTED | Title: Bead Game | 8/16/1968 | See Source »

...HEART OF THE HEART OF THE COUNTRY, by William Gass. The author of the highly praised novel, Omensetter's Luck, focuses an intensely physical image of the Midwest with poetic precision...

Author: /time Magazine | Title: Television: May 10, 1968 | 5/10/1968 | See Source »

...Gass's precision with words as physical objects that gives these somber stories a weight out of proportion to their size. In more than one sense, they have a rare specific gravity...

Author: /time Magazine | Title: Books: The Physicality of Words | 5/3/1968 | See Source »

...things are less than swinging in Gass's grey heartland, the big cities are worse: immobile with rigor mortis, "swollen and poisonous with people." Gass pulls a long face at contemporary literary fashions. "It's not surprising," he writes, "that the novelists of the slums, the cities, and the crowds, should find that sex is but a scratch to ease a tickle, that we're most human when we're sitting on the John, and that the justest image of our life is in full passage through the plumbing...

Author: /time Magazine | Title: Books: The Physicality of Words | 5/3/1968 | See Source »

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