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Word: gasses (lookup in dictionary) (lookup stats)
Dates: during 1970-1979
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Usage:

...most important writers in America today, published in both The New Yorker and in paperback--a rare, if dubious, achievement. Barthelme leads the so-called "comic irrealist" movement in modern fiction, which includes such lesser writers as Richard Brautigan and William Gass. But in his latest collection of short stories, Barthelme proves more adventurous than successful; stretched beyond its limits, his genre becomes tedious and inconsequential...

Author: By Paul A. Attanasio, | Title: Not-So-Great Days | 4/18/1979 | See Source »

...describe a peach too perfectly," William Gass has written, "it is the poem that will make your mouth water...while the real peach rots." Photography's grip on reality can seem so compellingly firm and immediate that it is liable to be more persuasive, and pernicious, in its distortions, evasions and half-truths than any other imagemaking medium. Accordingly, the same peach can rot much faster in a photograph than in a painting or poem, and is likely to rot all the more completely. Even the percipient mind that recognizes beauty in all things, and that understands how an artist...

Author: By Larry Shapiro, | Title: Mirrors, Windows and Peaches | 1/10/1979 | See Source »

...Toby M. Gass, president of the Harvard-Radcliffe Orchestra and a member...

Author: By Susan D. Chira and Payne L. Templeton, S | Title: Proposed Limit On Performers Elicits Doubt | 5/11/1977 | See Source »

Several of Fell's decipherments are based on inscriptions that professional archeologists say are frauds. The most interesting is a tablet found by one Reverend Jacob Gass in an Indian burial mound in Davenport, Iowa in 1877. (Among other errors in Fell's discussion of the tablet, he says it was found...

Author: By Peter Frawley, | Title: Barry Fell and His Big Idea: Wherein a Harvard Zoology Professor Tells the Tale Of All the Folks Who Got Here Before Columbus | 2/15/1977 | See Source »

This is a polemic, although the author does not alert the reader to the argument on the other side. His approach leads to a hermetic absorption with words as objects rather than signs pointing outward-precisely the premise that makes so much "experimental" writing so ghastly and unreadable. Gass also passes off a tautology as profundity: "I am firmly of the opinion that people who can't speak have nothing to say." This is both true and too cute by half; it nar- rows human awareness to the single focus of language, denies the very variety of living that...

Author: /time Magazine | Title: Books: Hue and Cry | 11/15/1976 | See Source »

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