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...shelter, Utopia Ranch, we have a lot of large, black, indiscriminate-looking dogs," says Kinky Friedman, the Texas musician, author and onetime gubernatorial candidate. In the eight years since his South Texas rescue ranch has been operating, a majority of the dogs left at the gate or rescued from town shelters are black, Friedman says, and a look at the ranch website confirms that view. There are two unwanted black mutts that have been given the supermodel names Christy Brinkley and Bridgett Bardot by Friedman's cousin Nancy Parker-Simons, who with her husband runs the rescue operation. And there...

Author: /time Magazine | Title: Do Black Dogs Face Discrimination? | 6/20/2008 | See Source »

There's no shortage of outdoor sculpture in the U.S. Most of it just sits there sunning itself, pretty much unnoticed by the people who go by. Then there's Cloud Gate, by the artist Anish Kapoor, born in Mumbai (formerly Bombay) and based in London. It's not just a work of art; it's a destination. Four years ago, it landed at Chicago's Millennium Park, where in no time it became an essential photo op. A fat, arching pillow of reflective steel, it's a giant fun-house mirror that bends people, clouds and the skyline into...

Author: /time Magazine | Title: Anish Kapoor: Past, Present, Future | 6/5/2008 | See Source »

...Cloud Gate also distorts Kapoor a bit--at least in the U.S., where his complicated output is always in danger of being overwhelmed by this one singular sensation. You get a much firmer picture of him in "Anish Kapoor: Past, Present, Future," an indispensable show that runs through Sept. 7 at the Institute of Contemporary Art (ICA) in Boston. Organized by Nicholas Baume, the ICA's chief curator, it brings 14 Kapoors dating from 1980 to the present into a single long gallery that's also something of a fun house, assuming that a fun house can be smart, subtle...

Author: /time Magazine | Title: Anish Kapoor: Past, Present, Future | 6/5/2008 | See Source »

...James Turrell. But the blend of heavy and vaporous, declaring and beckoning--that's all Kapoor's. That explains S-Curve. A long wall of bending steel, it's like one of Richard Serra's hulking stretches. But because of its mirrored surface, S-Curve dematerializes, the way Cloud Gate does, into a field of runny reflections that throws the world for a loop. It's art as metaphysical jujitsu...

Author: /time Magazine | Title: Anish Kapoor: Past, Present, Future | 6/5/2008 | See Source »

...wonder if there's anything that unites us as a class of Harvard undergraduates, if there is some quality infused in us over the past four years by which we'll be able to recognize each other after we pass through Johnston Gate for the last time...

Author: By Brian J. Rosenberg | Title: Risking It All | 6/5/2008 | See Source »

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