Word: gated
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Dates: during 2010-2019
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...were both critically praised as mixtures of lo-fi acoustic numbers, rockers, and soulful, sometimes morose pop songs, drawing endless comparisons to classic indie bands like Built to Spill and The Shins. Before their 2007 follow-up, “Asleep at Heaven’s Gate,” they were dropped by their Sub Pop label, but found a home with Jack Johnson’s Brushfire Records. That album found them moving in a new direction, embracing a more highly produced aesthetic that used studio effects to create a spacey and dreamy sound...
...similar direction on “Permalight,” not only by incorporating studio sounds, but making them a fundamental part of the album. If a return to the lo-fi sounds of their early recordings seemed unlikely after “Asleep at Heaven’s Gate,” “Permalight” makes it seem almost impossible. Rogue Wave haven’t lost their penchant for crafting incredibly appealing hook-laden melodies, which ensure the memorable impression “Permalight” leaves...
...enough. The Ghost could be a blending of the director's 1976 The Tenant, in which he starred as a man who rents an apartment where the previous tenant committed suicide and soon believes the neighbors are scheming to force him to kill himself, and the 1999 The Ninth Gate, in which a book dealer sleuths through a antique volume that might be the Devil's autobiography. Need more? Lang, who becomes the focus of a war-crimes investigation in Europe, may be condemned by his past to remain in the U.S. - even as Polanski is condemned...
Brandeis has a free shuttle bus (the Diamond Line) that runs from the school to Harvard Square, Boston, and back. I get on outside Boylston Gate to go to Brandeis, over Rubin’s protests (“Come, of course you should come, I want you to come, but I’m just saying that campus is dead tonight”). It’s the first of Brandeis’ two spring breaks, and many people are home. But Rubin and a few of his roommates are still there. The bus takes maybe half an hour...
...Inferno” as other important early influences. Meaningful later influences include Sergei Eisenstien, Jackson Pollack and Andy Warhol. When Tambellini was sixteen, he moved to Syracuse, New York, where he attended art college. In 1959 he moved to Manhattan, where he co-founded and opened the Black Gate Theater to show experimental films in 1967. In 1976 he moved to Cambridge. For eight years he served as a Fellow at the Center for Advanced Visual Studies at the Massachusetts Institute of Technology, where he specialized in media. According to Tambellini, “All media has something...