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Hornby's name appears on the front cover of the British edition of Moore's novel A Gate at the Stairs (Knopf; 336 pages), her first since Who Will Run the Frog Hospital? in 1994. It's rare that a blurb escapes from its usual station on the back cover of a book, but if Hornby ever called me the best American writer of my generation, I'd tattoo it on my forehead...
...point about Moore. A random core sample taken from A Gate at the Stairs reveals a density of wry, pitilessly accurate observation unlike anything else in contemporary fiction: "The Mexican strawberries in the refrigerator had grown the wise and cheery beards of Santa Claus." Looking out through an icicle-hung window is like "living in the cold, dead mouth of a very mean snowman." Anybody else wanting to be the greatest writer of Moore's generation is now throwing his or her hat on the ground and stomping...
...their cities and citadels with friezes depicting glorious conquests - often using the common visual theme of a giant potentate in front of his army, literally stomping on the heads of his foes. The effect was to boost a monarch's prestige and cement his political authority. Through the sacred Gate of Ishtar in Babylon, returning warrior kings would march into the city down a passage flanked by 60 giant lion statues on either side, with murals of the gods smiling upon them...
Sixty years ago Mao Zedong stood before a sea of people atop Tiananmen Gate proclaiming, in his high-pitched Hunan dialect, the founding of the People's Republic of China and that the "Chinese people have stood up!" The moment was marked with pride and hope. The communists' victory had vanquished the Nationalist regime, withstood the vicious onslaught of the Japanese invasion and overturned the century of foreign encroachment on China's territory. Moreover, Mao and the Chinese Communist Party (CCP) came to power without significant external support - theirs was largely a homegrown revolution. (See pictures of the making...
...actually be some sort of digging machine rampages through the city, destroying whole buildings and causing general inconvenience. A pair of bald eagles seem to hunt Abneg, and at one point, a whale makes its way up the East River nearly to Hell’s Gate before dying.This motif seems to speak in general to the control or lack thereof wielded by the invisible powers-that-be behind most of the action in the book. But some of the discrete animal appearances may just be references to contemporary news coverage—the eagles could refer to a hawk...