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...present the Ring, In toto is a stupendous task even for a company of as vast resources as the Metropolitan. Director Gatti-Casazza had at hand a conductor who was capable and famed as an interpreter of Wagner, Mr. Artur Bodanzky; yet singers had to be enticed from here and there, choruses marshaled, great scenes built. These difficulties were mastered...

Author: /time Magazine | Title: The Ring | 2/23/1925 | See Source »

There was a scuffle of feet outside the dressing-room door. A call boy-"Mr. Gatti wants you. Immediately." Young Tibbett grabbed his robe. Gatti-Casazza, famed director of the Metropolitan, smilingly pushed him toward the stage. There, alone, he took his curtain call, bowed again and again. Then the opera was permitted to proceed...

Author: /time Magazine | Title: Music: Tibbett! Tibbett! | 1/12/1925 | See Source »

Married. Miss Anne Elizabeth Whelan, daughter of Charles A. Whelan, United Cigar Stores President, to Gilbert W. Kahn, son of Otto H. Kahn, head of Kuhn, Loeb & Co., famed bankers; in Manhattan. Present were Guilio Gatti-Casazza, Frances Alda, Lucrezia Bori, Antonio Scotti, John McCormack, Walter Damrosch, Josef Stransky, Theodore Roosevelt, Andrew W. Mellon, Elisabeth Marbury, Elsie de Wolfe, Charles D. Gibson and 1,000 others. The wedding cake was seven feet high...

Author: /time Magazine | Title: Milestones: Dec. 1, 1924 | 12/1/1924 | See Source »

...been supposed that the Metropolitan would choose for its opening Fedora, Maria Jeritza's latest triumphant impersonation. But Signer Gatti-Casazza, shrewd impressario, had planned otherwise. Verdi, well-tried veteran, was called into service and Aida was the safe and sane choice, with a familiar safe and sane cast. There was no Caruso, no Farrar, no Jeritza. There was instead a new conductor, one Tullio Serafin, carefully discriminating and strangely energetic after the somnolent Mr. Moranzoni...

Author: /time Magazine | Title: Music: Opera | 11/17/1924 | See Source »

...world's musical aristocracy are not lacking. There is Caruso, whom the diva kissed; Richard Strauss and Puccini, her intimate friends; Franz Schreker, whose music she loathes ("His stories are morbid and unhealthy; his scores, vocally, are the most terrible ever written") ; Geraldine Farrar, whom she generously admires; Gatti-Casazza, Frances Alda, Marcella Sembrich her teacher, "strict, and, when I sometimes gave her occasion, stern." The choicest bits are the naive little confessions. "The jewels I wear on the stage are all imitation." ... "I might as well state categorically that my hair, all of it, is absolutely...

Author: /time Magazine | Title: Music: Jeritza Confesses | 6/23/1924 | See Source »

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