Word: gatti-casazza
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...shall not say I am sorry to give up opera." To replace him the Metropolitan imported an unknown named Josef Rosenstock. After five of Rosenstock's feeble exhibitions of batonistic piddle-paddle, Manhattan critics howled him down, sent him scurrying back where he came from. General Manager Gatti-Casazza persuaded Bodanzky to return. For ten more years he went on conducting Wagnerian opera...
When paunchy, bearded Giulio Gatti-Casazza was General Manager of Manhattan's Metropolitan Opera House, the Metropolitan's corps de ballet was run by his wife Rosina Galli. Balletmistress Galli, a girl with old-fashioned ideas, filled the proscenium with rose-garlanded damsels whose inexpertness became proverbial. Critics in those days were agreed that the Metropolitan had many shortcomings, but that the shortest of all was Balletmistress Galli's ballet...
Three years ago pompous Manager Gatti-Casazza resigned, retired to Italy with his wife. As General Manager he was succeeded by Edward Johnson, a trim, smiling man of progressive ideas who promised a new era in operatic production. Among other heralds of the new day came slick-haired Russian Balletmaster George Balanchine. With his youthful American Ballet corps, Balanchine was expected to give Metropolitan audiences a taste of what up-to-date operatic ballet was really like...
...author admits she is plump, is not too boastful about herself or too jealous of her peers, is on its face noteworthy. Such a volume (ghosted by Dorothy Giles) is Men, Women and Tenors* by Frances Alda. Long a capable Metropolitan Opera Soprano, first wife of Impresario Giulio Gatti-Casazza, Mme Alda launches her book with much of the triumphant, glassy-smiling air of a diva squaring off at a high C. Says her introduction: "For 50 years (everyone from the radio announcer to the Motor License Bureau knows my age)-for 51 years, to be exact†-I have...
...mentioning one of her four beaus by name (Lord Robin Innes-Ker), Mme Alda reveals that "my marriage to Gatti was frankly, on my part at least, a marriage after the European pattern; a sensible arrangement between a man and a woman who liked and respected each other. . . ." Her opinion of her successor, Dancer Rosina Galli: "Like me, she had a rather pretty face but too fat a figure." Alda declares that, when she made ready to divorce Gatti-Casazza, she was told that her contract at the Metropolitan would be allowed quietly to expire. Astute, she obtained from...