Word: gatti
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...hours after John Erskine's announcement it appeared as though the Metropolitan had in desperation sold its independence, as though Mr. Erskine would hereafter be giving orders to Manager Giulio Gatti-Casazza. People tried to withdraw their donations. They were informed that Mr. Erskine had given the wrong impression, that the Juilliard was contributing $50,000 and no more, that the Metropolitan's future next year still depended on the outcome of its campaign which, even with the Juilliard's, $50,000, had brought in only...
...Giulio Gatti-Casazza, the silent, Jovian man who for 25 years has sat in a musty back office guiding the affairs of Manhattan's Metropolitan Opera Company, was given a party this week. His 200 singers sang for him. Oldtime Metropolitan stars returned to the stage to honor him.* Swayed by the wholehearted sentiment which opera-folk thrive on, the house fairly shook with shouts when the Metropolitan ballet shaped itself into a giant birthday cake, held up 25 candles. From his grandtier box Mr. Gatti gravely gave the Italian salute but no amount of persuasion would bring...
...view at Gatti's party there were people whose memories went back further than his. Marcella Sembrich, who sang at the Metropolitan 50 years ago, made a quavering little speech. Walter Damrosch, who conducted there 48 years ago, helped master ceremonies. Out of her seclusion came Olive Fremstad whose Wagnerian interpretations have not been approached until this winter when Frida Leider and Maria Olszewska joined the Metropolitan.† Together the oldtimers sat at a table in a night-club scene, watched Lucrezia Bori and Rosa Ponselle do lively impersonations of cigaret girls, after which tiny Lily Pons...
...years Manager Giulio Gatti-Casazza made the performances pay for themselves. He even set aside 51,000,000 surplus. But that is exhausted now, although last year salaries were cut and the current season shortened from 24 to 16 weeks. A guarantee of $150,000 privately subscribed last spring has been eaten into badly. With box office receipts at their present low it was figured that even a season shortened to twelve weeks would require an extra $300,000 to see it through...
Passing through the Metropolitan's narrow stage door Scotti managed a smile for photographers who waylaid him. He shook hands gravely with hulking Giulio Gatti-Casazza who had made his debut as manager of the Scala in Milan the night Scotti first sang there 34 years ago. Then he went upsteps to a dingy dressing-room, locked the door, took pictures of his long-dead father and mother from the little black bag and sat them down before a mirror. Slowly he smeared his face with yellow paint, donned a snakey-cued China-man's wig. For that...