Word: gattis
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...pince-nez and proudly put his name to a contract which soon was advertised all over the U. S. In Manhattan a slender Irish girl of 20 bubbled to reporters: "I'm thrilled to the ears." From his murky backstage office at the Metropolitan Opera, big, bearded Giulio Gatti-Casazza had just announced his plans for next season...
...next season, probably his last, Manager Gatti has engaged a new conductor, Ettore Panizza, to replace Tullio Serafin. There will be six new singers: Tenor Dino Borgioli, German Soprano Anny Konetzni, U. S. Contraltos Kathryn Meisle and Myrtle Leonard, U. S. Sopranos Helen Jepson and Mary Elisabeth Moore. All but pretty little Mary Moore have had operatic experience. With a record of only one public performance (Baltimore. April 1933), she was engaged for five leading coloratura roles at the Metropolitan...
...manner she is as Irish as her ancestors. Her father, an employe of American Radiator Co., favored piano lessons but singing seemed foolish. An indulgent uncle took Mary to the opera one afternoon. After that there was no holding her back. She met the late Billy Guard, Mr. Gatti's kindly pressagent, who recommended a teacher. She had an audition early last winter. Mr. Gatti was noncommittal but he invited her to attend performances free. Her contract brought reports of an exceptionally clear voice, a range that extends to C above high C. Pretty Mary Moore commented...
...Edward H. Harriman in the $65,000,000 corner in Northern Pacific in 1901, pitting his skill and strength against J. P. Morgan and James J. Hill. Art Patron Kahn sank his profits into the Metropolitan Opera Company of which he was chairman for 23 years. He installed Giulio Gatti-Casazza as manager in 1908. He brought Toscanini from Italy in 1908 and Arthur Bodanzky from his own home town in Mannheim in 1915. He spent nearly $2,000,000 buying out Oscar Hammerstein's Manhattan Opera Company when it threatened to ruin the Metropolitan in 1910. He stood...
...Toscanini's birthday concert, the 2,981st concert that the Philharmonic has given. For its artistic prestige, never higher than during the last decade, the little 67-year-old Italian is responsible. New Yorkers knew him before as an opera conductor but in 1915 he tiffed with Giulio Gatti-Casazza, raged out of the Metropolitan and returned to Milan to give all his time to the Scala. No one thought he would accept when Clarence Mackay asked him to conduct the Philharmonic in 1926. And when he cabled that he would come, great was the trepidation among the musicians...