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...Giulio Gatti-Casazza, General Manager of the Metropolitan Opera Company, sat in his Manhattan office last week and fingered the ends of a thousand strings. Very important strings they were, strings whose slightest twitch could set hundreds of singers warbling, fiddles bowing, brasses mooing

Author: /time Magazine | Title: Music: Ave | 11/1/1926 | See Source »

...armpits. But he knows, and others know, that for such a polyglot community there is the minimum amount of intrigue, that, as for individual singers, the world is at fault, producing less than it did once, but that he has nearly all the best obtainable. . . . The American artist? Mr. Gatti heaves a mighty sigh. He might quote a few figures, that of his 93 principals 37 are Americans, that the strength of his native wing is three times that of the German, twice that of the Italian, 33 times that of the French. But being Mr. Gatti-Casazza and little...

Author: /time Magazine | Title: Music: Ave | 11/1/1926 | See Source »

...royalty to music with golden success. Although long awaited, the youngest in line, The Countess Maritza, disclosed nothing more sensational than a former Metropolitan prima donna of human dimensions. Indeed, shapely Yvonne D'Arle's skipping and gestures are more suggestive of the Shubert girl than the Gatti-Casazza stalwart. Had she injected less grand opera bravura into her lyric cadenzas, she might have proved even more effective...

Author: /time Magazine | Title: Theatre: New Plays: Oct. 4, 1926 | 10/4/1926 | See Source »

What lies in store for patrons of the Metropolitan Opera behind the quizzical title, The King's Henchman, remains entirely to be seen and heard. But it heads the prospectus of Director Gatti-Casazza and there was a stir last year when its authors, Composer Deems Taylor and Poetess Edna St. Vincent Millay, were commissioned to contrive an all-native opera. The music is finished; Deems Taylor is in Europe. And last week came news that, despite the ravages of a long illness, the pale and slender young librettist had finished a first draft...

Author: /time Magazine | Title: Music: New Opera | 8/30/1926 | See Source »

...Gatti is the first impresario who has succeeded in making opera pay at the Metropolitan...

Author: /time Magazine | Title: Music: In Boston | 6/7/1926 | See Source »

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