Word: gatty
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Dates: during 1930-1939
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Time & again Debussy took orders for music. Manager Giulio Gatti-Casazza gave him an advance on operas which were never delivered to Manhattan's Metropolitan Opera. Mrs. Elise Hall, a deaf Boston lady who on her doctor's advice had taken up the saxophone, commissioned him to write a Rhapsodie for her to play at one of her annual solo appearances with the Boston Orchestral Club, which she financed for a decade early in the century. Mrs. Hall was one of the Boston Coolidges* but to Debussy she was just "the Saxophone Lady." He wrote...
...colonial Quincy, Mass. Its characters would be Puritans, Cavaliers, Indians; its themes, bigotry and a parson's conflict with his lustful soul. Critic Stokes asked Rochester's Howard Hanson if he would please write the music, submitted his scheme to the Metropolitan. Manager Giulio Gatti-Casazza, knowing from experience with Composer Deems Taylor that critics are likely to be lenient with the efforts of their fellow critics, accepted the Hanson-Stokes opus when the music was scarcely begun...
...hours after John Erskine's announcement it appeared as though the Metropolitan had in desperation sold its independence, as though Mr. Erskine would hereafter be giving orders to Manager Giulio Gatti-Casazza. People tried to withdraw their donations. They were informed that Mr. Erskine had given the wrong impression, that the Juilliard was contributing $50,000 and no more, that the Metropolitan's future next year still depended on the outcome of its campaign which, even with the Juilliard's, $50,000, had brought in only...
...Giulio Gatti-Casazza, the silent, Jovian man who for 25 years has sat in a musty back office guiding the affairs of Manhattan's Metropolitan Opera Company, was given a party this week. His 200 singers sang for him. Oldtime Metropolitan stars returned to the stage to honor him.* Swayed by the wholehearted sentiment which opera-folk thrive on, the house fairly shook with shouts when the Metropolitan ballet shaped itself into a giant birthday cake, held up 25 candles. From his grandtier box Mr. Gatti gravely gave the Italian salute but no amount of persuasion would bring...
...view at Gatti's party there were people whose memories went back further than his. Marcella Sembrich, who sang at the Metropolitan 50 years ago, made a quavering little speech. Walter Damrosch, who conducted there 48 years ago, helped master ceremonies. Out of her seclusion came Olive Fremstad whose Wagnerian interpretations have not been approached until this winter when Frida Leider and Maria Olszewska joined the Metropolitan.† Together the oldtimers sat at a table in a night-club scene, watched Lucrezia Bori and Rosa Ponselle do lively impersonations of cigaret girls, after which tiny Lily Pons...