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...enter other professions. Some, broadening and deepening as the years pass, make excellent mothers to rich little children; others keep their figures and their friends and go on entertaining long after their footlight days are over; a few seek fame. Last week one Mary Lewis was engaged by Gatti-Casazza to sing with the Metropolitan Opera. Before her debut in January as Mimi in La Bohème she will give a concert in Carnegie Hall, Manhattan...

Author: /time Magazine | Title: Music: Mary Lewis | 11/16/1925 | See Source »

...Greenwich Village Follies, then with Mr. Ziegfeld's. It was during her second winter in Manhattan that she studied languages, opera roles. Last summer in Paris Otto Kahn heard her sing a selection which was not "Jesus Wants Me for a Sunbeam." He arranged an audience with Manager Gatti...

Author: /time Magazine | Title: Music: Mary Lewis | 11/16/1925 | See Source »

...said Gatti-Casazza...

Author: /time Magazine | Title: Mr. Kahn & Mr. Gatti | 11/2/1925 | See Source »

...musical reporters bustled away to tap out the ideas that had come to them while they listened to the Manager Gatti's rolling syllables. The fact that he has engaged fewer new singers than ever before is inevitable, they pointed out; he has most of the good ones now. But significant is the fact that in the thin receiving-line of operatic debutantes there are three Americans. This is Manager Gatti-Casazza's second answer to the drone of those who protest that the Metropolitan ignores native talent. His first?a remark made last year?was: "Find me an American...

Author: /time Magazine | Title: Mr. Kahn & Mr. Gatti | 11/2/1925 | See Source »

Cosmopolite, metropolite, he conceives the function of the company to be the giving of opera in the best possible manner. This is also the conception of Manager Gatti-Casazza; their consultations are cooperative, for where Mr. Kahn's Lincoln-waits?there waits harmony...

Author: /time Magazine | Title: Mr. Kahn & Mr. Gatti | 11/2/1925 | See Source »

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