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Word: gaugin (lookup in dictionary) (lookup stats)
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...Chinese painter Ta Chien is the only modern artist to make it to the common menu, with the Szechwan specialty Ta Chien chicken. Through menu notes I have learned over the years that Ta Chien is "the Chinese Picasso," living in South America, given to bright colors (hence the Gaugin green peppers of the dish), and a native of the Szechwan province. I do not think that I have ever seen a picture of Ta Chien, or understood the relationship between the painter and the entree...

Author: By Robert Nadeau, | Title: The Painted Dish | 1/22/1988 | See Source »

...Chinese painter Ta Chien is the only modern artist to make it to the common menu, with the Szechwan specialty Ta Chien chicken. Through menu notes I have learned over the years that Ta Chien is "the Chinese Picasso," living in South America, given to bright colors (hence the Gaugin green peppers of the dish), and a native of the Szechwan province. I do not think that I have ever seen a picture of Ta Chien, or understood the relationship between the painter and the entree...

Author: By Robert Nadeau, | Title: The Painted Dish | 1/15/1988 | See Source »

...Grafton Galleries in 1910, and his truculent fugleman Clive Bell, inventor of the catch-phrase "significant form," made it just fine to despise new English art in the name of the French avant-garde. Given their belief in an imperial France whose seigneurs were Cezanne, Matisse and Gaugin, Fry and Bell preferred any imitation of the Ecole de Paris, however pallid, to anything else, however strong. They both disliked vorticism, the remarkable English movement that combined elements of cubism, futurism and Dada and centered on the belligerent genius of Wyndham Lewis, painter, soldier, novelist, critic and editor of Blast. Bell...

Author: /time Magazine | Title: Art: Singular And Grand | 4/6/1987 | See Source »

Antonio Gaudi and Gaugin in Tahiti, Tuesday, October 29, 5:10 p.m. Free...

Author: NO WRITER ATTRIBUTED | Title: Harvard | 10/24/1974 | See Source »

CERTAINLY there is nothing new about groundbreaking art being greeted with skepticism. The philistines met Gaugin's primitivism with exclamations of "Why, a child could do that!"; the Impressionists were laughed out of the Academie Francaise; Franz Kline's random slashings and Jackson Pollock's random drippings ran another gauntlet of disbelief before being established as art. And as the seventies' Goths buck before art ordered by telephone and manufactured in factories, before pictures of chalked-off earth sites and rocks wrapped in plastic, yet another avant garde rises to vindicate them. But it is an awfully shaky testimony they...

Author: By Emily Fisher, | Title: Lost in the Whitney Funhouse | 7/27/1973 | See Source »

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