Word: gauguin
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...dash and virtuosity, even in his student years at the Slade School. He was, in the view of friends like Sir William Orpen, the inordinately successful painter, the best draftsman to work in England since Van Dyck. The last modern painter to affect John's work was Paul Gauguin, whose flat, hieratic patterning was echoed in decorative figure compositions. John's favorite subjects remained the two main women in his life, Ida the wife and Dorelia the patient mistress, posing among their hordes of children in long columnar skirts and peasant shawls beside Romany caravans. But the 20th...
...argument, only as manipulation. He seems not to have read them, only read about them. He imagines, for instance, that Greenberg somehow invented the issue of pictorial flatness, which had been a subject of continual debate among European artists and critics since the days of Maurice Denis and Paul Gauguin in the 1890s...
...Wrong Turning. At age seven, when he was visiting an exhibition of Japanese paintings, he discovered the important secret about himself-"I am a born visualizer." Roughly in this order he began to paint in the style of Hokusai, Degas, Gauguin, Whistler and Matisse. By the time he reached Oxford, he knew he was not an artist; but he was irrevocably attached to the scale of the masterpiece-what a friend, Classicist Maurice Bowra, called "big stuff...
...theft. In the hours before dawn, thieves had broken in through a window and spirited off about $2.3 million worth of paintings left to the museum in 1956 by Sicilian Industrialist Carlo Grassi. The haul included a Cezanne, a Bonnard, a Renoir, a Vuillard, a Van Gogh, a Gauguin, a Millet and a brace of Corots. The thieves, said Director Mercedes Garberi, "displayed a very refined taste." Giovanni Spadolini, Italy's Minister of the Cultural Patrimony, was already in shock from the theft of two Piero della Francescas and a Raphael from Urbino twelve days before. Said he: "This...
...appreciation to create an art program that would give the public a well-needed moral lift. It was the committee's decision to select the world's most famous paintings from the 16th, 17th, 18th, 19th and 20th centuries - the best paintings of Matisse, Van Gogh, Gainsborough, Picasso, Gauguin, Titian, etc., and to reproduce them in full color as perfectly as humanly possible and make them available to the public at a price within the reach of nearly everyone...