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...interest shown in the Gauguin exhibit now at Fogg sets well alongside an incident reported from Dartmouth, which college has been in the throes of its own renaissance for several years now. Whatever Fogg has been to Harvard, the new-era Orozco murals on the walls of Baker Library have been to our northern contemporary, and any novel reaction to them on the part of art lovers makes lively news in Hanover...

Author: NO WRITER ATTRIBUTED | Title: The Crime | 5/19/1936 | See Source »

Expectations are that the interest aroused by the exhibition of the art of Paul Gauguin; modern French painter, which opened yesterday at the Fogg Museum, will be comparable to that which was stirred up by the Van Gogh exhibition in Boston last winter...

Author: NO WRITER ATTRIBUTED | Title: Collections and Critiques | 5/2/1936 | See Source »

...truly fitting that the Gauguin exhibit should follow that of Van Gogh, for the two artists were kindred spirits in the world of art. Both at the end of the nineteenth century led the way out of the cramping formula of Impressionism and to both color was a means of expressing feeling and thought...

Author: NO WRITER ATTRIBUTED | Title: Collections and Critiques | 5/2/1936 | See Source »

...Gauguin in his break with Impression evolved a new theory of his own, Synthesism, which was followed and carried to an even further degree by such men as Matisse, Derain, and Vlaminck. This theory is a conscious grouping of selected forms with strong and evident pattern, while the colors used are absolute rather than naturalistic, effects of sunlight and atmosphere being disregarded...

Author: NO WRITER ATTRIBUTED | Title: Collections and Critiques | 5/2/1936 | See Source »

...Gauguin, tiring of his life in France, went to Tahiti to live and there he did his greatest works. There he achieved in his art an unsurpassed decorative quality combined with a wonderful gift for design and color...

Author: NO WRITER ATTRIBUTED | Title: Collections and Critiques | 5/2/1936 | See Source »

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