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...returned three weeks ago to perform his duties in Pittsburgh and have fun in a Manhattan round of dinners, receptions, studio teas. Reporters, hostesses found him silent behind his whiskers, only occasionally willing to act the oracle. "I do not like Tahiti," said he. "I am not a Gauguin,* I could never paint there. New York-that is different, I should like to paint in New York. American artists should not be ashamed of their country, it is magnificent. Why do so many American painters continually go abroad when they have at home scenes of such varied beauty...

Author: /time Magazine | Title: Art: Carnegie Show | 10/20/1930 | See Source »

...Murdock Pemberton, Kansas-born art critic of The New Yorker, woman's club lecturer, is even more definite, lists the four greatest living painters thus: Matisse, Picasso, Braque, Derain. All except Matisse, who as a judge cannot show, are exhibiting in Pittsburgh. *Paul Gauguin, morose Post-Impressionist painter of the 1890's, grew disgusted with modern civilization, sold all his European paintings for 9,860 francs ($1,972) deserted his wife and children and went to spend the rest of his life in Tahiti, the "Terrestrial Paradise.'' There, still subject to acute melancholia, he went completely...

Author: /time Magazine | Title: Art: Carnegie Show | 10/20/1930 | See Source »

Gardenias & Gauguin...

Author: /time Magazine | Title: Art: Wall Man | 10/13/1930 | See Source »

...many emeralds, in an atmosphere fragrant with excellent things to drink, a new art gallery blossomed last week on Manhattan's artiest street, East 57th, with an opening exhibition that snapped one more spat-button of respectability on the artistic insurgents of 1918: Derain, Picasso, Van Gogh, Gauguin, Matisse. Grizzle-chinned Henri Matisse was present in person to confer a Parisian benediction. Owner and patron of the gallery was beauteous Marie Norton Whitney Harriman, onetime daughter-in-law of Sculptress Gertrude Vanderbilt Whitney, present wife of Banker-Sportsman William Averell Harriman. The Marie Harriman Gallery will probably never feel...

Author: /time Magazine | Title: Art: Wall Man | 10/13/1930 | See Source »

...either stop buying pictures or rent more rooms to hang them. Hence the Marie Harriman Gallery. Art critics, dodging nervously among socialites, were impressed. Of the 29 canvases on view, not one was unimportant. Present were such frequently reproduced works as Picasso's mustachioed Harlequin, a good Tahiti Gauguin, Renoir's Claude as a Clown in Red, Cezanne's Man with a Pipe, eight irreproachable Derains. Another beauteous young socialite ma tron to take art seriously is Mrs. Mary Gallery Coudert, who last week obtained a Paris divorce from Attorney Frederic R. ("Fritz") Coudert Jr. (defeated last...

Author: /time Magazine | Title: Art: Wall Man | 10/13/1930 | See Source »

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